Óscar Jaimes

Pablo returns to the neighborhood where he spent the early years of his life, searching for Juanito, but he does not find him. His sister Delia tells him that Juanito has lost his job and, in his desperation, has turned to crime. It is considered as the first Venezuelan and Latin American neorealist film.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.