Guillaume Cailleau

A monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today’s vantage point.

a black and white negative documentation about a intime and extreme body experience.

Direct Action documents the everyday of one of the most important activist communities in France in order to see how the success of a radical protest movement can offer a path through the climate crisis facing us all.

When and how does a piece of paper or an artwork acquire an exchange value? How is its' value determined and put into practice? Commissioned by CIRCUIT Artist Film and Video Aotearoa New Zealand, WUNDERSCHEIN is an installation by French artist Guillaume Cailleau, featuring a collaboration with New Zealand artist Matilda Fraser. Focusing on the physicality of money - especially notes - the project models, imitates and fabricates money to address ideas of value in finance and art.

A companion film to Miraculous Accident, Forgotten Solidarities returns to Nadir, Edyta, and Jarek from another angle: in 2025, Nadir, a Moroccan former exchange student at Łódź Film School, comes back to Poland to make a film from a buried past shadowed by 1968, where cinema, evidence, and intimacy blur into power, manipulation, and accusation.

"Constant" is a journey through the social and political histories of measurement. For most of recorded history, the human body was the measure of all things. “Constant” asks what led measurement to depart from the body and become a science unto itself. The film explores three shifts in the history of measurement standardization, from the land surveying that drove Early Modern European land privatization, to the French Revolution that drove the Metric Revolution, to the conceptual dematerialisation of measurement in the contemporary era of Big Science. Each chapter traces the relationship of measurement standardization to ideas of egalitarianism, agency, justice, and power. Cinematic and technical images that begin as products of measurement systems are stretched beyond their functions to describe the resistance of lived experience to symbolic abstractions.

Moroccan student Nadir arrives at Łódź Film School in 1968, amidst Eastern anti-imperialist support. He meets Jewish teacher Edyta, who is forced to leave Poland after the Six-Day War. In 2024 he finds her letter, reviving memories of a fractured love.

A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011. In a place thick with stray cats and scooters, cops and Molotovs, ancient myths and new ruins; where fists are raised like so many columns in the Parthenon, this is a film of surfaces - of grafitti'd marble streets and wheat-pasted city walls - hand-processed in red, green, and blue.