Lucas Scavino

It narrates the life of the last argentine who won the Nobel Prize, César Milstein. Perfect combination of science and adventure. This documentary traces through memories, anecdotes and descriptions, , how a scientist feels and how an adventurer thinks. An intensive course that shows his life from childhood in a family in southern Argentina, to his adult life in Cambridge (England) and his adventures in the mountains, islands and pyramids. Since 1963, their questions and discoveries have produced countless benefits, resulting in applications in medicine, biology and immunology, are major advances in basic scientific knowledge. César Milstein, a great scientist, whom colleagues describe him as a good fellow, hardworking and tenacious. His greater certainty was that, without adventure, would not science.

Freddy emigrates to Buenos Aires in search of a more prosperous life. In his native country, Bolivia, he left his family. But the capital of Argentina is not the paradise he dreamed of, and much less for illegal immigrants like himself. But even with that, he gets a job as a griller in a restaurant.

Sangrita drives home at night after being told there are two naked girls awaiting him in his bed. Someone has arranged for the girls to be sexually aroused artificially by anesthetics, and filmed by an old man who'll stop at nothing to record the encounter on video. The two men and two girls wait inside a luxury mansion waiting for Sangrita, who's taking longer than expected to arrive.

Documentary about a hospital train that has been traveling through northern Argentina for 30 years providing medical assistance in towns immersed in poverty and lacking any help.

In April 1982 Dalmiro Bustos and Elena Noseda faced one of the most difficult moments of their lives, when their eldest son, Fabián, was sent to fight in the Islands, along with hundreds of conscript soldiers. Almost forty years after the events, Dalmiro, Elena and their two youngest children, Javier and María Elena, tell what they could not say at the time, in an attempt to follow Fabián's footsteps and put into words the anguish and pain that still remain.

The axis of the film is the construction of memory: where, finally, are the memories lodged? From that interrogation, the director and protagonist assembles and disassembles a story where his children and his father appear to confirm that his memory is also the memory of a descendant that does not forget the past. (Marcela Gamberini)