K
Directing
Kwame Braun
No biography available.
Known For
Winter Cowboy · 1983Winter Cowboy
1983
MovieComedyScience Fiction
An elderly couple, reminiscing about their long-lost youth, comes across an advertisement for a new technological invention that promises to reverse the aging process. Intrigued, they pay a visit to the scientist who invented it, but things don’t go as expected.
Suffering Bastards · 1989Suffering Bastards
★ 5.51989
MovieComedy
Two brothers try to get back the nightclub that was swindled from their mother.
Meg & Siggy Go SwimmingMeg & Siggy Go Swimming
Movie
Meg & Siggy Go Swimming is a short film inspired by the script of Nightswimming and the poem "Zenith" by Morgan Elise Dawson. The film tells the story of two former circus performers who meet years later inside a shared memory, where they try to discover what sent them off in different directions from a love that seemed so total and so complete. It is an attempt at cinematic poetry, with music, poetic language, and resonant imagery meeting non-linear storytelling. Meg & Siggy Go Swimming features Porscha Shaw in the role of Meg. It was written and directed by Jeffrey Fracé, shot and edited by Kwame Braun, with music by Christian Frederickson.
Passing Girl, Riverside: an Essay on Camera Work · 1998Passing Girl, Riverside: an Essay on Camera Work
1998
Movie
By Kwame Braun. Color, 24 mins, 1998. From distributor Documentary Educational Resources: At a street festival in West Africa, a young girl is delighted to discover a video camera trained on her. But her exuberant display is quickly cut short when she recognizes that the cameraman has already lost interest in her. But all is well: he has a document of the moment. Video has tipped the balance in another human interaction, and turned it into a curio. This experimental video essay probes the complexities of video as a tool for cross-cultural research and representation: it examines, in effect, the politics of its own production. How does the intrusion of this expensive technology distort relationships? What are the ethnographic filmmaker's responsibilites towards his "subjects?" Yet perhaps these concerns are themselves distortions, preoccupations that obscure a more balanced encounter, in which human accommodation can flow in both directions.
Filmography
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