M
Directing
Mirosław Kijowicz
Born May 8, 1928 · Leningrad
Died October 28, 1999 · aged 71
Mirosław Kijowicz was a Polish director, screenwriter, and set designer, renowned for his contributions to animated cinema. He was also a painter and a lecturer at the Łódź Film School and the University of Silesia. Kijowicz's work often explored the relationship between individuals and societal systems, employing simple yet profound narratives. Notable films include Cages (1966), The Blue Ball (…
Known For
The Water Babies · 1978The Water Babies
★ 6.21978
MovieFamilyFantasy
Grimes, an amoral chimney sweep, occasionally likes to steal valuables from his clients. One day, on the verge of being caught, he frames his young apprentice, Tom, for the crime. Tom runs away and jumps into a river where, instead of drowning, he finds himself transformed into a mystical aquatic creature. Swimming and breathing effortlessly, he discovers a colorful underwater world replete with creatures both cruel and kind.
Cages · 1967Cages
★ 6.21967
MovieAnimation
An allegory of the hopeless relationship between a prisoner and his jailer, representing the dependence of mankind upon authoritarianism.
Laterna Magica · 1967Laterna Magica
1967
MovieAnimation
The titular magic lantern is simple projection apparatus, invented several hundred years ago. In the animation, it appears as an object symbolizing the power of eyes and behind the scenes crimes.
Science Fiction · 1970Science Fiction
1970
MovieAnimation
Conquerors land on a newly discovered planet and try to colonize and explore a new discovered planet.
From Acorns · 1961From Acorns
1961
MovieAnimation
City traffic is really smooth as long as everyone follows the rules. The protagonist crosses the road not on a zebra crossing, causing an accident. Such walks end in a prison cell.
Portraits · 1964Portraits
1964
MovieAnimation
A group of mourners provide different portraits of a deceased man at a funeral.
Road · 1971Road
★ 4.81971
MovieAnimation
It is a philosophical parable about a man at the crossroads. He divides himself in two, as he cannot decide on the one way only. Each half follows its own path. When they meet again, they do not fit each other any longer. The journey changed them irreversibly.
Cabaret · 1964Cabaret
1964
MovieAnimation
A cruel human cabaret begins with a pushpin that pierces someone's tires, a hole in the fence through which a voyeur controls others, and a cannonball that leads to the end of the world.








