Hôryû Nakamura

Director Daisuke Goto, the master of the cinematic Pink Eiga, is back with this retelling of the classic film noir, The Postman Always Rings Twice. A married woman, tasked with running her handicapped husband’s failing printing business, meets a drifter and they fall in love. Soon a plan to murder the husband is put into motion and the forces of fate begin to show their hand. Featuring bravura filmmaking, fantastic performances and steamy sex, the Mourning Wife is a worthy follow up for any fan of Daisuke Goto’s masterpiece A Lonely Cow Weeps at Dawn.

A young widow, Noriko, lives with her senile father-in-law on a farm. Noriko pretends to be his long-gone favorite cow and lets him milk her—a satisfying arrangement for them both.

Sakurano plays a girl named Kimika who wakes up chained up in a dark boiler room, unsure of how she got there. She’s soon approached by a strange large man wearing a mask and using a creepy voice changer. The girl is the daughter of Daisuke (Kenji Ezure), the shrewd president of a general contracting company. Daisuke was too occupied with an ongoing sexual fling with his secretary (Asami) to notice that his daughter was missing at first, and his relationship with her was already strained due to a certain incident in the past, but when he receives a threatening phone call he eventually recognizes the gravity of the situation. Eventually, Kimika begins to calm down as her fear slowly turns into a perverse attraction to this strange person holding her captive. What is the kidnapper’s motive? And what is his true form? In the basement of a certain building, insanity merges with obscenity as the plot unfolds.

Yakuza clan Inoshika decides to help a small family business, Taxi Tanaka, lured by the clan Jinryûkaï and deeply in debt.

Sho Aikawa plays a police detective whose dark personal history makes it impossible for him to stay within the limits of the legal system. But he is not just a detective; he is also a husband who has to explain to his wife how he got blood on his sleeve. And the criminals he pursues turn out to be as imperfect and oddly human as he is-and just as determined to protect their own families.

A would-be bank robber forgets his mask on his first big heist, and then botches an attempt to shoplift a replacement mask from a nearby convenience store. The store's clerk, a washed-up rock star, chases the thief and literally runs into a Yakuza to whom he owes money. Thus begins an all-night, three-way pursuit through the streets of Tokyo.

The films plot hinges on a bizarre love triangle involving a loser ventriloquist, his assistant & a blind woman - Hikari is blindly (literally) in love with Daisuke, a failing ventriloquist yet when she finally musters up enough courage to meet him face to face and present him with some flowers backstage she mistakes his assistant for him. For some reason Daisuke and his assistant decide to follow through with the mistaken identity farce which leads to some amusing complications, particularly in the bedroom.

Raijin Ninomiya, president of the black-market lending firm ‘Gokuraku Shokai’. With his mother, Kin Ninomiya—who possessed a vast fortune of 80 billion—as the owner, he ran a business bordering on fraud, preying on the weak (!?) as his prey. Meanwhile, Raijin had a rival vying to inherit Kin’s fortune. This was his half-brother, Haruo, who had achieved great success in the same financial sector with ‘Lameri Loan’. With Raijin’s shambolic business practices, defeat seemed all but certain. Then one day, Raijin’s first love, Fumiko, appeared at ‘Gokuraku Shokai’ and asked for a loan, but…