Afsar Asadi

An Iranian TV-play adaptation of Agatha Christie's The Mousetrap.

a family live in a small village near tehran. the husband who is a teacher tries hardly to build a house on top of a hill. he soon finds out that her wife has a serious problem with kidney that will cause her early death.

Dr. Shakibeh Moayyed, a skilled infertility doctor, is unable to have children after ten years of living together with her husband. The two have seen a solution in adopting a girl named Leili; but her husband, a textile design engineer, returns the girl to the orphanage. The girl is given to a wealthy woman.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

A young woman in love marries against the wishes of her family. She is challenged when her nascent marriage is thrown into trouble because of the couple's roots in different social strata.

Mohammad Ali is an actor and filmmaker who returns to his country Iran to begin a new life with his painter wife Mitra. Finding a home seems impossible, however, and a baby is on the way.

Eskandar, who was formerly the personal driver of “Hoveyda”-prime minister of Pahlavi regime- Claims of knowing a secret of Hovayda; but no one has taken his word seriously. Untill the day he meets Amir Vaziri and tells him about his secret that in addition collection of canes and pipes, Hoveyda has a collection of “paykans”; and once he predicted the upcoming political turmoil in the country hide a very valuable thing in the rear seat of one of twelve Paykans! So Amir and Eskandar begin the search for the hidden item that they don’t know what exactly is.

A horse, which was used for religious ceremonies, has grown old and it's been decided to sell it to the slaughterhouse; to be slaughtered The middleman, after hearing the horse's story, refuses to buy it because of his own religious beliefs. The horse breaks away and enters the life of a young depressed drug abuser. The young man's family has broken apart; but ...

The depressed Shirin wanders around at her father's funeral. Unexpectedly, she sees a man very much like her father. Regardless of her uncle's objection, Shirin is enchanted by the idea of finding out that man. Reluctantly, her uncle acknowledges that the man is her father's illegitimate child. Looking at gloomy daughter, Shirin's mother tells her about some past events, especially about an unexpected truth that Shirin is her father's adopted daughter. It seems to be clear that Shirin and that man have no blood bond. But her father's mistress tells a different story.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.