Jenő Pataky

Pál Völcsöky comes home from Sweden to get his uncle's heritage, the castle. The valet, Joachim informs him that all members of the Völcsöky family have a right to spend two weeks of honeymoon here.

Ada Harris, a London charwoman in the 1950's, sees a Dior dress and decides that she's going to own one. First, she scrimps and saves her money, but when she has enough, and takes a trip to Paris, she learns that buying an original couture creation is a little harder than simply plunking down cash. Along the way to her goal, she manages to befriend a count, unite young lovers, and dodge customs.

Anni, a young woman on the verge of divorce, moves into a hotel until the trial, where she meets a charming young man, Albert Sándor. Despite the fact that the lawsuit would prevent Anni from getting involved in a new relationship, she agrees to a compromising meeting. Only on the day of the trial does it become clear that Albert Sándor is the lawyer of Anni's husband, who doesn't want to hear about the divorce, and has been keeping a private eye on her. Anni thinks she is being set up.

The archduke's grandfather wants to thwart the love between Princess Erzsébet and András Balogh, a young man of lower rank. He sends Erzsébet to Switzerland and András Balogh to Warsaw as an embassy secretary. However, Erzsébet follows András to Warsaw, where they both become embroiled in criminal complications when András has to return home with important diplomatic documents. Back home, it turns out that everything happened so that Erzsébet could soften the archduke's grandfather's heart and rescue András from the predicament he got himself into for Erzsébet's sake... The film is set in Warsaw, and the exterior shots were taken just before the outbreak of World War II, so the film still shows Warsaw intact.

Károly Szakonyi's great play, The Transmission Error, could be set today. The story is about the Bódog family, where the main role is played by watching television, while the family members' attention to each other becomes superficial, their togetherness formalised without them realising the weight and tragedy of it.