Vasco Sá

The pieces silently start gathering into the room, while the giants, unaware, keep living their macabre routines.

The last habitants of a village refuse to let themselves sink into oblivion.

A dog was abandoned in its home at the same time my grandfather became a widower, and I was returning from London, a place where I felt lonelier than ever.

During a harsh winter, a river by the house of two cousins freezes over. In the cold wind, their relationship grows bitter, reaching its limits.

The character in red is contained in a web of repeated and interlocking actions of her routine. However, the yearn to free herself from automatisms and frustrations grows stronger and louder. From the inside to the outside, from the mechanical to the spontaneous, one character becomes several. They explore the possibilities of doing without thinking.

A shoemaker wrapped up in memories of his life and the demands of his job, experiences a crucial moment in his existence. We accompany him through an enormous day in his life which will determine his future.

It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.

With the sea and urban Algarve as the backdrop, we follow a complete life cycle of a special shellfish called percebes, the goose barnacle.