Darejan Kharshiladze

Acting

Darejan Kharshiladze

No biography available.

Known For

The ReturnThe Return · 1990
The Return
1990
MovieDramaTV Movie
A young man escapes from prison three months before his release, but after communicating with his father and friends decides to declare himself to the police...
19th-Century Georgian Chronicle19th-Century Georgian Chronicle · 1979
19th-Century Georgian Chronicle
6.71979
MovieDrama
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
HostagesHostages · 2017
Hostages
6.12017
MovieDrama
Soviet Georgia, 1983. Preparations for Nika and Ana's wedding are in full swing and it's a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they plot an audacious escape from the Soviet Union.
CinemaCinema · 1977
Cinema
6.71977
MovieDramaRomance
At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.
SvaniSvani · 2007
Svani
7.42007
MovieDrama
In Svaneti, the mountainous region of Georgia, there is the Jachvliani clan tower known to have shown an angel figure of white smoke. At these times the tower inhabitants always prayed as the angel was believed to protect them. One day a man from another clan was killed in the tower and the angel has never made its appearance since.
The FogThe Fog · 1985
The Fog
1985
MovieDrama
Boy’s first encounter with human cruelty occurs as hunters kill and skin a bear. The gruesome scene sparks physical disgust, spiritual anxiety, profound guilt, and growing alienation from the adults.
RejectedRejected · 1992
Rejected
1992
MovieDrama
A fellow villager takes away Bakha's fiancée. In order to seek revenge, Bakha asks the Kists for help. The Bakha community decides to cut off the village due to its connection with the Urzhuls.
Beginning of the RoadBeginning of the Road · 1983
Beginning of the Road
9.01983
MovieDrama
A young female film director Nino is shooting her first film, it will be about Tusheti. However, everything is not easy for Nino: the death of his mother, a serious love disappointment, and the usual everyday adversities. Interest and support are only in creativity.

Filmography

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A Day Longer Than NightA Day Longer Than Night · 1983
A Day Longer Than Night
6.01983
MovieDramaRomance
This somber story of love lost forever is set against the backdrop of the changes that Communism brought to the state of Georgia in the former USSR after the 1917 Revolution. Eva and Archil are deeply in love and they pledge to be with each other always. After they marry, Archil dies suddenly and Eva is left alone and childless. Along comes the ruthless Spiridon who romances Eva and marries her - though his cold and cruel spirit break Eva's naturally buoyant self, until she sullenly eats alone, and avoids intimacy with her husband as much as possible. They adopt a daughter, who does not take sides between her glum mother and silent father. When the Communist cadres enter their village to promote the ideals of the October revolution, Eva starts to warm to her husband a little because he joins in that movement. Then her husband commits the fatal error of revealing a previous crime - an error that will later cause their grown daughter to question her parents' strange behavior.

Eva v Molodosti

The Waltz on the PetschoraThe Waltz on the Petschora · 1992
The Waltz on the Petschora
6.01992
MovieDramaHistory
Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.

Darejan