Laura de la Isla

Multiple love stories unfold in Barcelona during Christmas's Eve.

Ana lives in a remote village on the Spanish plateau, and spends her summers selling underwear in her uncle's shop. An unexpected encounter with two youths from a neighbouring village awakens in Ana hope of an escape from this monotony.

At the time of her death, and after a lifetime of silence, a woman decides to confess all her terrible secrets to one of the psychiatrists in the mental institution she is held in. A story that talks about three generations of women marked by fate.

Ten twenties. Five girls and five boys at the height of youth, when the distance is starting to make out adult life. Pieces of life captured in short sequences in different scenarios, and not follow any narrative structure. Amanecidos are the pages of a diary or a photo album open to chance. These are memories that come to mind without warning. A story that beats as strongly as its young protagonists.

Four episodes where the end of the world comes as the different ways of understanding cinema directors: with humor, or action, from the thriller, drama or romance. So, join a psychopathic murderer faced with the need to complete their master plan, a fierce battle for gaining access to alleged bunkers offering salvation hopeless romantics an invasion of desperate hunt for the love of his life and a pregnant about to give birth to the last baby on the planet.

A group of friends reunited. But not an afternoon. Not just any place. They are in a cemetery. Sam has died. He killed himself. What is the relationship each had with Sam? You really do not know why Sam has committed suicide? Or Lying? Tell the truth? What if there is a guilty of his death? Or more?

Max [Jesús Caba] wakes up without realising that the day before the clocks went back. A chain of events take place over the course of the day as a result of him leaving the house one hour late.