James Garnon

Set against the backdrop of the succession of Queen Elizabeth I, and the Essex Rebellion against her, the story advances the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.

'Better a witty fool, than a foolish wit.' Filled with a cast of unforgettable characters, Twelfth Night combines cruelty with high comedy and the pangs of unrequited love with some of the subtlest poetry and most exquisite songs Shakespeare ever wrote. The Globe revisits its award-winning Twelfth Night of 2002 with an all-male Original Practices production, exploring clothing, music, dance and settings possible in the Globe of around 1601. Mark Rylance reprises his performance of Olivia in Twelfth Night, 10 years after its original premiere at Middle Temple Hall and The Globe. Synopsis In the household of Olivia, two campaigns are being quietly waged - one by the lovesick lord Orsino against the heart of the indifferent Olivia; the other by an alliance of servants and hangers-on against the high-handedness of her steward, the pompous Malvolio. When Orsino engages the cross-dressed Viola to plead with Olivia on his behalf, a bittersweet chain of events follows.

In 1979 Clive Sinclair, British inventor of the pocket calculator, frustrated by the lack of home investment in his project,the electric car, also opposes former assistant Chris Curry's belief that he can successfully market a micro-chip for a home computer. A parting of the ways sees Curry, in partnership with the Austrian Hermann Hauser and using whizz kid Cambridge students, set up his own, rival firm to Sinclair Radionics, Acorn. Acorn beat Sinclair to a lucrative contract supplying the BBC with machines for a computer series. From here on it is a battle for supremacy to gain the upper hand in the domestic market.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed slave Caliban. When Prospero raises a storm to wreck this perfidious brother and his confederates on the island, his long contemplated revenge at last seems within reach.

The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their spy, Bosola, discovers that the Duchess has secretly married and carries Antonio’s child, they exact a terrible and horrific revenge.

An unflinching look at the rise and fall of one of the most infamous political figures in US history.

A special, fully-staged production of A Midsummer Night’s Dream, with Mendelssohn’s complete incidental music, broadcast on air, online and via red button. Director Tim Carroll introduces the production in conversation with Louise Fryer. The Ladies’ Choir of the Enlightenment and the Orchestra of the Age of Enlightenment are conducted by Charles Hazlewood.