Eva Bianco

In the late 1980s, journalist José de Zer seeks proof of alien life in Argentina — even if he has to fake evidence — causing a surreal media circus.

A young woman asks a friend of her mother's to help her come out of the closet, in exchange for doing her a similar favor.

After twenty years in Buenos Aires, Clara returns with her husband and daughter to Tierra del Fuego, where she meets her father, with whom she is at odds. Shortly after arriving, she realizes that a pack of dogs is sowing terror.

1975. An American filmmaker arrives in Argentina to film the story of the first revolt of laborers against landowners. Hoping to document history, instead, he finds himself becoming part of it as he’s swept into the revolt and soon finds himself on the run from the dark bloodiness that is sweeping the country.

The hypocrites tells the story of Nicolás, a young cameraman who works filming social events, but doesn’t feel fulfilled with his profession. In the middle of a high profile wedding, he accidentally records a compromising situation between the bride, Martina, and her brother, Esteban. Realising about what is in the tape, he sees the opportunity of leaving his tedious life behind through blackmailing the people involved. However, he does not know this secret could endanger his own life.

Year 1866. Venancio, a young gaucho, embarks on a journey to escape from a curse through a war-torn region desperately seeking salvation among rustlers, priests, shamans and deserters. The stronger his fear is, the more real the legend becomes.

Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

Las calles could be regarded as a film about words, about describing and naming, about secrets and confessions, and about language as the matter of memory. In a dialogue between generations, young people are responsible for elaborating the question, and School is the place that tries to come up with a technique for it. In turn, the elderly answer through their stories, which are basically the story of the town. And like the word –which is always a fiction– builds a reality, the film sustains its tone on that intermediate area in which a fictional setting provides the conditions for the pure documentary genre to mark the pace and reach out to people.

A contemporary dance group performs a rehearsal close to the premiere of the work. The existing tension, and enmity in the group, will make them release their violence. After this explosion of blows, they remained calm, as if nothing had happened.

Emma and her father spend a few days in an isolated collection of huts in the Argentinian mountains. It is here that they meet Elda, a solitary figure, who will guide them through the world of pagan beliefs and local legend.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Those who rebel against authority figures disobey. This film echoes “Cordobazo” — a popular rebellion in Cordoba against the Argentine military dictatorship in 1969 — through the story of Alicia, a trolleybus driver who joins an insurrection against an oppressive regime.

After her mother’s death, Magali returns to her native town in the argentine north. The threatening presence of a puma that eats animals and appears in dreams unsettles the town. Magali’s approaches her son, together they will fulfill the family duty on which depends their own prosperity

Sara hires a detective to watch her partner, Lucía, convinced that she will try to commit suicide when she discovers her infidelity. But Lucía is pregnant. Between jealousy and revelations, both try to accept the situation in order to stay together.

Eva is just passing through Madrid. She spends her days there alone: she doesn't know anyone and isn’t particularly interested in getting to know new people. The city is therefore an unfamiliar place where she wanders aimlessly, her curiosity somewhat dampened. But one afternoon, at the Reina Sofía Museum, a man approaches her. His name is Dante and he is an Argentine historian researching labor struggles in his country and the career of Juan Bialet Massé.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

A film about moments of affection and maternal protection, blurred family ties and labour injustices.

Carla arrives after years of absence to accompany Martina. Relations between them are cold; there's something unspoken between them. Martina slips away for secret meetings with Diego, a man twice her age. The two are involved in a hardcore sex game that's out of control. When Carla discovers the relationship she confronts Diego.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

Ana transcribes the news of a crime committed a few nights ago in the city. Surrounded by her colleagues, Ana’s eyes perceive something strange; the killer’s look will be fixed on her.


A defect within Celutel, the Telecommunication Corporation, affects cell phone lines starting with area code 153. Users from Cordoba, struggle to communicate and this leads to many absurd situations around the Corporation and its employees; who try to solve the user's problems; and at the same time, their own problems. With neurotic and paradoxical situations, taken to the absurd, Incommunicado is a comedy that plays with the communication phenomena.