Ole Møllegaard

Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

In a dystopian future, Denmark's lower classes must live as nomads—living in vans, always on the move, endlessly driving on a system of ring roads. Although they try to maintain a certain degree of humanity in their daily lives, there is no room for emotion or compassion among the wanderers.

A cheerful tale of what can happen when the two sexes try to achieve balance through millimeter democracy, including when it comes to love and cohabitation. After throwing rolling pins and other objects at their husbands, the women have left their husbands behind in the city and are spending sunny and fun days at a camp, while their husbands take over the boring daily chores. The men send a brave negotiator, who approaches the camp with a white flag raised above his head.

Johannes is upset because his parents have divorced and because his father never phones him. Before going to bed he wants his mother to read something from the Bible for him, instead of one of the usual stories from Superman. She reads some lines from the Revelation of St. John. Johannes asks her what "the end is near" means. She explains that it is when Jesus comes back, and sends the good people to Paradise and the evil ones to Hell. In the middle of the night Johannes sees a dazzling light and lots of water pouring out from the toilet. Suddenly an androgynous being is standing in the bathroom. Johannes thinks it's Jesus, and the being doesn't deny it. Johannes asks Jesus if his parents are going to Hell, as he thinks they are evil.

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

In the wake of a divorce, Thelma now lives alone with her teenage daughter Irene. Somewhat overwhelmed by the situation (and initially often hiding in bed), the two women embark on new experiences. The contours of new identities and a firmer footing as individuals gradually emerge.