Hugo Kaminský

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.

The countess celebrates her sixtieth birthday at the moment when she is about to leave her castle. The new workers' government wants to mercilessly destroy the nobility. But because Elizabeth Anna Marie, Countess of Lansdorf and Scheinberg, and later domestic worker Lansdorfová, realizes that "one must keep one's customs and promises, even if they are ridiculous and pointless," she wants to carry out a foolish plan to celebrate her 70th birthday at the family estate, despite the regime and her opponents in the city...

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

Screen adaptation of Julius Fucik's story about communist fighters.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.

Criminal comedy, a fourth movie from the "Chief" series.

While Kendy returns to his hometown as an assistant director to film a thirteen-part series with a television crew, Štěpán Šafránek, equipped with his mother's advice after graduation, takes up his first position - as an intern at the local hospital. However, his inadaptability to local conditions and his sense of ethics in his chosen profession do not suit his other established colleagues. While they are amused by his zeal and responsibility, Štěpán has increasing problems with his superiors, until he is finally transferred to the position of rural district doctor, which everyone rejects. In Bezdíkov, however, he meets a new, perhaps permanent and reciprocated love, with whom he eventually decides to live and work in northern Bohemia.

A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose oflife or the possibility to be humane even in inhuma ne conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains. all protagonists find themselves in a liminal existential situation.

The life and reign of Polish king Casimir III The Great.

In 1869, while investigating gruesome murders, a detective allies himself with a success-hungry newspaper editor.

In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...

Journalist E. E. Kisch tells crime stories from old Prague, which he himself experienced in the years before World War I and recorded in his reports and stories: he participated in the discovery of the real murderer of a rich innkeeper, attended the wedding of a beggar's son with the daughter of a complacent rich man, and witnessed the mysterious murder of a money-changer's uncle.

Historical television comedy around Friedrich Alfred Krupp, whose connection to the imperial court and the influence of Kaiser Wilhelm II. to the Krupp family. Not yet 50 years old, the "cannon king" dies in 1902. The emperor holds a memorial speech sown with threats against the "inner enemies". Telltale secret files emerge, strange amorous adventures are in the game.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.