Adina Mandlová

Young civil servant Marta Urbanová wins a two-week stay at a luxury hotel. While looking for a typing room, she accidentally finds herself in the suite of the Minister of Finance, who mistakes her for a typist. Marta complies with the request of the Minister's secretary Diviš and stays to take dictation...

Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

Kind and decent professor Artur Čejka is about to marry his fiancée Helena Frýdlová. On the eve of the wedding, he comes across the unfortunate actress Káťa Holanová on the riverbank, who has been unsuccessfully looking for an engagement for a long time and wants to take her own life out of desperation. Čejka prevents her from committing suicide and helps her. He meets the girl again on the train when he and Helena are going on their honeymoon...

Professor Karas is widely known as enthusiastic propagator of the motto "Morality Above All Else". He guides his students as well as his own family to live a morally decent life. One day he has an unexpected visit. It's his illegitimate daughter Vera, who is proof of his thoughtless youth. Mr. Karas know that she can ruin his image, thus he decides to keep her a secret and asks her to leave. Instead of leaving she takes a position of a governess in his own family without letting him know. Mr. Karas realizes that he must reveal the truth sooner or later, but he doesn't have enough courage to do so. As he postpones it, he is more and more scared to come to his own home.

Young music composer Viktor Honzl in vain looks for work. He is prevented from committing suicide by a technician of the gasworks who shortly beforehand has disconnected his gas due to past due bills. In the disguise of an older, serious, musical scholar Viktor obtains work in a music publishing house.

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

Mr. Ducháček runs the law firm of JUDr. Faukner in a peculiar but completely devoted manner, which manages the financial affairs of the Rispaldic family. The family members treat their lawyer Faukner with condescension, except for their daughter Julia, who secretly loves him. However, no one except Ducháček knows that the squandering family no longer has any money and that JUDr. Faukner is subsidizing it, because he is also secretly in love with Julia.

A comedy about a caring protector of the family who had help, good advice and understanding for everyone. No one in the family calls Anna Svojanovská anything other than Kvočna - everyone is used to running under her protective wings as soon as any problems arise. And what a blessing this mother and grandmother has to deal with!

The main character of the funny story is an ordinary typist Julinka Svobodová, who works for the established business firm Hrubý a syn and lives in a sublet with the seamstress Mrs. Pokorná. Although she is poor and sometimes manages to be late, she is still cheerful and pleasant. However, a small coincidence is enough and everything changes. That is when she takes an elevator ride with the Minister of Trade, Dr. Horák, who coincidentally lives in the same building. Mrs. Pokorná, in good faith, hints to the inquisitive landlady that Julinka is the Minister's girlfriend. From the talkative woman, an innocent rumor spreads like wildfire and, surprisingly, it helps the girl in every way...

It all begins when Zuzanka, the new young owner, arrives at the dilapidated Blue Star Hotel. Determined to put the declining inheritance back on its feet, she starts chasing three young men, including the composer Jirka, who, dressed in a waiter's tailcoat, is to work off his debt to the new owner. Like his two friends, Jirka succumbs to the charms of his new boss and, with some confidence, hopes that he is the one who has the best chance of becoming her chosen one. At that moment, however, a guest arrives, intent on carrying out the family tradition and throwing an engagement party at the Blue Star Hotel, regardless of his condition. This, however, is not to the liking of his wilful fiancée. Fortunately, there is the sympathetic Zuzanka, who charms the unusual guest so much that he resolutely breaks off his engagement to the rich girl and prefers to marry the cute hotelier.

Young engineer Petr Pavelec works on a dam plan on the Loučnica River. He meets Irena, the daughter of an unscrupulous construction entrepreneur Berka, and falls in love with her. When Petr's project wins the tender, Berka and Irena take him on as a partner, and the company is awarded the contract to build the dam. Petr, in love, does not see how sloppy the construction is being carried out. He only sees it when a worker is killed on the construction site...

Slightly ironic comedy of wretches, who come to understand the rich and are able to accept charity, and also about how love and work prevail over the factory owner's son.

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

Hairdresser Žofka Stárková desires fame perhaps more than other girls. The petty plans of her fiancé František do not satisfy her wild imagination. Žofka suddenly gains popularity when, while on her way to get an autograph, she discovers the dead body of the famous tenor Helbich and is arrested on suspicion of murder. Helbich actually committed suicide because he lost his voice. After being released from prison, Žofka receives an offer for the lead role in a forthcoming film. The dubious fame confuses her. She leaves her parents' modest apartment and quits her hairdressing business. Unfortunately, it soon becomes clear that she has no talent for acting, and the desperate director has the film edited in such a way that Žofka practically disappears from it...

Emanuel Pokorný, a bachelor, is to join a rural church school as a professor. Before leaving, however, he finds an infant abandoned in his room. Since he has no time to search for the child's parents, he secretly takes the child to the boarding house. And from that moment on, there is no end to his travails...

A writer of pulp crime novels is drawn into a series of real crimes. This film was one of the first Czech attempts on a genre parody.

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

You will meet the family of the miller Kaliba, who is proud not only of his mill, but also of the family tradition, according to which the milling profession has been passed down at the inn's mill for almost three hundred years. And since Mr. Kaliba has no son, it is certain that his only daughter Liduška must marry a miller. Perhaps this would have happened if the Kalibas had not gone to the anniversary exhibition. Here, Liduška meets the handsome engineer Karel Loukota, who is an overly zealous member of the cycling club "Don't Get Married!", but is not immune to love at all. Of course, he will face many hardships and obstacles, the biggest of which is, of course, the miller Kaliba with his fierce efforts to uphold the family tradition...

Factory owner Dvorský also faces his own share of life's troubles; the supply of kaolin for his factory is running dangerously low. Mayor Pivoňka’s wife is willing to sell her kaolin fields, but only on the condition that Dvorský marries her daughter, Táňa—who, however, has no desire to marry a widower with a four-year-old son. Mrs. Lexová also owns kaolin deposits. Dvorský organizes a puppet show at his villa for his ailing young son. During the night, little Mirek wakes up and goes to the theater to look for a princess puppet; tragically, he accidentally sets the curtain on fire with a candle, and the theater burns down.

A dashing but mysterious man saves a gambler from suicide, crashes the posh party of a prominent industrialist, falls in love with his daughter, and finds himself in a web of intrigue revolving around her blackmailing fiance and a gang of counterfeiters.

When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.