Ibrahim Shaddad

Sudan, in the late 1980s. People cross the desert on foot or cover long distances by car and truck. In Al Mahatta, Eltayeb Mahdi shows encounters at one of the large crossroads between the capital Khartoum in the centre of the country and Bur Sudan on the Red Sea.

Two blind men make their way through the desert accompanied by a donkey. Connected by a rope, sometimes the two men decide the way, and sometimes the donkey leads them through the desert.

A treatise on racism. Shot in a forest in Brandenburg, it uses a Western look to portray the hunt for a Black man.

Sudanese filmmaker Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in a large alien city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Human Being (إنسان / Insan) has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.

The short film Jamal (1981) by Ibrahim Shaddad is a report from the life of a camel, most of which plays out in a dreary, small room – a sesame mill.