Mary Martin

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.

A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter.

A rich junk dealer hires a tutor to teach his brassy lover proper etiquette, he is beginning to move up in the world, so, he wants her to be a little less uncouth. As long as she doesn't start thinking. However, that ended with unexpected results.

Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and then try to sell their songs under their own name. The problem is every song publisher thinks they're copying Courtney's style.

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.