Olaf Marchwicki

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.

The fate of three Catholic priests were linked together through tragic events a few years back. Every year, on the anniversary of the catastrophe, they gather to celebrate their survival of the tragedy. Lisowski works at a curia in a big city, building his career while dreaming of the Vatican. Standing in his way, Mordowicz, the archbishop, a luxurious church dignitary who is making use of his political connections to build the largest sanctuary in Poland. Trybus, is a parish priest and often submits to human weaknesses. Kukuła also is not doing well. Despite his passion for faith, he is losing the trust of his flock. Soon, through new tragic events, the paths of the three priests will cross again.

Tragedy meets comedy in seven stories about how our entire world can collapse at any given moment.

It tells the story of the Warsaw Uprising of 1944 through the eyes of a US airman, escaper from the Nazi Stalag camp and two young reporters, cameramen for the Bureau of Information and Propaganda of the Polish Home Army. Their mission: documenting the Uprising by shooting newsreels for the “Palladium” cinema. Looking for the right shots, they go deeper and deeper – literally and figuratively – into the heart of the Uprising. Traumatic truth becomes obvious. Aware of being witnesses of indescribable events, they realize their duties: to document them and preserve the rolls of film at any cost…

A romantic comedy set on Christmas Eve in Warsaw and centered around a series of characters.

Summer 1982. Two cousins play ball in the streets of Warsaw. Poland has been under siege for six months and the football world cup is almost over.

After winning an all-inclusive trip to Egypt, Tomek, his energetic mother, teenage daughter, and cunning son arrive to find lost luggage, a terrible hotel room, and no food, while Tomek unexpectedly runs into his high-school crush and her perfect partner. When the tour operator goes bankrupt, the consulate stays silent, and their funds vanish, the family must sche­me their own way home by earning enough money for return tickets before the holidays.