Maede Tahmasbi

Ali is son of a well-off family who plays the santoor (an Iranian instrument) and has earned some reputation through his concerts and teaching music but is rejected by his family because of this profession, which they despise. He falls for one of his music students but after a short blissful period, life doesn't treat him as well as before and also his addiction agonizes him in his numbered days before redemption.

After 22 years, Aziz decides to return to his hometown, to sell some family possessions, including the house where he was born. But for his astonishment, the place is now a small restaurant, run by four women, one of them a girl whom he once dated. Attieh, the girl, tries to convince him not to sell the place by, instead of telling him a story a day as Sheherazade, cooking him a delicious dish every day.

Roya and Babak are a young couple who intend to emigrate from Iran. Roya's encounter with an anonymous girl is the beginning of strange events in their life.

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

Shooka, a spirited, hardworking girl from an Iranian mountain village is to be married in an arranged marriage. Shokrollah, her neighbor with Down syndrome, has been head over heels in love...

During Iran-Iraq war Noor Aldin who is a carpenter is missing. He is captured by Iraqi army. After 8 years he returns home, but finds out that in his absence his wife is married to another man.

Three different stories of three women. In the first Mehrnaz is a widow who is living with her daughter alone. In the second Shahla takes care of her disabled husband and in the third Farzaneh is a young girl who has problems with her fiance.

A former bourgeoisie family's preoccupation with socio-economic identity continues even into death as they decide what the best burial plot for their aunt is.