Maggie Wadey

Fanny Price is sent to live with her wealthy relatives, the Bertrams, where she is treated poorly by most except her cousin Edmund. Her life is complicated by the arrival of the worldly Mary and Henry Crawford

In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but meets a man who may see her differently.

A young girl, whose head is full of romantic and melodramatic notions, goes to stay with the wealthy Tilney family. Through her adventures, Catherine Morland comes to learn that marriage in the society of her day is determined not by true love but by wealth and social status.

Rich and languorous, this adaptation of George Eliot's classic tale perfectly evokes rural England in the 18th Century. But beneath the tranquil surface of this pastoral idyll run deep passions and the bitter gall of betrayal.

After 30 years apart, a man is reunited with his mother, who resides on a psychiatric ward.

'The man knew what he wanted. A relationship that was loving, but not possessive. In other words, he wanted to maintain his sanity.'

A woman goes slowly mad as she is confined to a room for weeks on end by her husband.

An Englishman thinks automatically in terms of class. It's an occupational hazard. He can no more control it than lick his own tongue.

When Hell's Angels hit Muriel's seaside town she grabs daughter Karen and follows. Years ago her husband rode away on his bike and left her, but it's always possible that she might find him - or someone! As it happens both mother and daughter have unexpected encounters

Lyddie faces a daunting task: She's struggling to reunite her family and save their farm. To do that, she takes a job at a cotton mill and, with the help of Diana (who's toiled in the mills since age 10), learns that there are risks involved with being a factory girl -- namely, dangerous working conditions and low wages. Soon, Lyddie finds herself in the forefront of a suffrage movement to better those appalling conditions.

Series of single made-for-television dramas.

A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Anthology series of half hour plays produced in BBC's Television Centre's studios.

Anthology drama series.

Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.

An anthology of plays and novels adapted into feature length TV movies, broadcast on BBC2 from September 1977 to April 1979.

In Victorian London, Louisa Leyton works her way up from servant to renowned cook to proprietress of the upper-class Bentinck Hotel in Duke Street, St James's.

Because of their "new money" background, four American girls have difficulty breaking into the upper-crust society of New York. Laura Testvalley, the governess of one of the girls, suggests a London season and thus the young women set sail for England and the unsuspecting English aristocracy. In England, all the girls soon find eligible husbands and the youngest girl, Nan, seems to land the best husband of them all: the handsome and very wealthy Julius, Duke of Trevennick. The girls soon discover that English upper-class men are not at all what they expected and hoped for.

A precursor to the later Dramarama series, Spooky explores the supernatural, and ventures into the dark corners of the imagination.

A young boy discovers a teenage caveman living in the local rubbish dump.