Daniel Andrade

A visual project accompanying FULGOR, the latest project by ecuadorian band Verde 70, that translates the album's universe into an audiovisual language.

When Luisa, 45, returns from a psychiatric clinic after a bout with severe postpartum depression, she enters a new confinement in her dazzling home, surrounded by family members and a brigade of servants who expect her struggles to remain invisible. Unable to continue playing the role of the perfect housewife, Luisa's only escape is to waltz elegantly into madness.

Aurora, a divorced woman, receives a call from her 14 year old son's principal to let her know that he is being expelled on the last day of class. In an attempt to reach her son, she fights to fulfill her duties as a publicist, daughter, sister, and single mother. Meanwhile, her son deals with the insecurities of growing up. A chaotic city and an outdated education system trap mother and son in an increasingly impersonal world.

Marooned by time and place in a natural world untouched by humankind, a refugee mother and her young son live alone in a mysterious sphere. The boy has never seen another human and fearing the inevitable solitude of outliving his mother, he refuses to believe they are alone.

A Missionary converting an Indigenous Community in a remote Ecuadorian volcano must come to terms with her own Faith when her son is possessed by dark forces older than her own religion.

Although their ideological, social and economic differences, Christian and Juan Fernando have been able to maintain a strong friendship since childhood.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

A murder sets in motion a series of tragedies that find their way to the city morgue's Dr. Arturo Fernandez. Physically and emotionally isolated, Arturo develops an intimate relationship with the personal lives of his cases, forcing him to confront his connection to the living and the dead. This dark, serpentine tale offers a richly textured rendering of Ecuador's capital.

Bound together by the voice of Lamont, a young black man pushed by the constant surveillance of his everyday life to discover the real power is off-screen. Lamont uncovers a living and breathing New York City with his new found power. At the same time, actress Iris refusal to die in an audition spurs her to get out of the pretentious grind of being in. She becomes the focus of Lamonts camera as he follows Iris into her psychological descent, while her roommate Mira, is desperate for fame no matter the price.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

A well-known filmmaker follows a famous mountain climber to Nepal, documenting the journey. Conversations about their lives lead to philosophical reflections, as the mountain challenges their motives. As days go by, the higher altitude and the depletion of oxygen will raise their debate to interior and transcendental territories, putting at stake their trajectories and their egos when facing the mountain and its millenary depth.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

In 2007, Ecuadorian President Rafael Correa proposed not to exploit the ITT block in the Yasuní National Park in exchange for $3.6 billion in international compensation. However, rising oil prices led to the reactivation of the project in 2013. The film documents the struggle of the Yasunidos group to call for a referendum to reverse the exploitation. The documentary, through archival material and current recordings, follows the effort and the legal battle against corporate interests throughout three governments, left and right. The documentary is part of a diptych with Toroboro: the name of the plants.

Blaquito is thirty years old and lives with his mother in El Matal, a small fishing village on the coast of Ecuador. One day, the beach turns up filled with cocaine packets. Blanquito, along with his friend Lorna, decide to travel to Guayaquil, where people will pay five times more per package. Little does Blanquito realize that in the days that follow he will be staring at death in the eye and losing his head for love.

With intertwined life stories, this film starts from the questions: Is Ecuadorian society essentially mestizo? What is a mongrel? This documentary aims to bring to the fore issues that have been poorly resolved both in the way in which Ecuador defines itself as a country, and in the subjectivity of its inhabitants.

Miranda is a 48-year-old teacher who changes her perspective on life when she hears reports of harassment and abuse from the students at the school where she teaches. Over the weekend she will decide that it's time to hear her voice and make it heard along with many others.

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

A 13-year-old girl living in a Buenos Aires shantytown falls for a 17-year-old boy who earns a living juggling in a Spiderman costume.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.

A portrait of Jaime Roldos, Ecuador's first democratically elected president, who died with his family when their plane crashed in the mountains.

The plans of the young couple Daniel and Clarice are thwarted by Vitor Lopo Jr. He orders the kidnapping of the couple's newborn daughter, Mariana, who ends up living with Pestana and Elza—a pair who have kidnapped other children as well. Among the children kidnapped by Elza and Pestana is Joãozinho, the son of Joana and Felipe Marinho. The plot takes major unexpected turns.