Don Kent

The man who goes through purgatory – the “song of the earth” – is a curious being, constantly stopped by the concrete nature of the things and objects that surround him, in a depiction of his own life. This material occupies him, blocks his way, attaches him and often torments him. It bears witness to what exactly purgatory is to Romeo Castellucci: human life in its daily repetition, familiarity with everyday tasks, the trap of routine, the experience of the ordinary body, encounters with the finished world, known nature, the substances of life.

Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.

The prologue sets the stage for the action: Thespis, Momus and Thalie announce the subject of the play. It is a comedy mocking the folly of man...and the story of a trap set by Jupiter to cure Juno of her jealousy. The trap? It consists in convincing the water nymph Platée that Jupiter is in love with her. Mercury officially declares Jupiter’s love to Platée. When the god appears before her – first as a donkey, then an owl - the nymph calls on the birds of the marshes, but they scare Jupiter away. Luckily he quickly returns and declares his love for Platée. He even wants to marry her. La Folie comes to sing for the fiancée during an absolutely chaotic scene. However, as the couple prepares for the wedding, Juno arrives. Furious, she puts an end to the farce and ascends to the heavens with Jupiter. Humiliated, Platée understands she has been duped. She swims off into the marshes, as the chorus sings an ironic song in her honour.

Repudiated by her husband Jason, Medea takes cruel revenge on her children.

With Oh la la, Alagna!, in this 2013 concert, Roberto Alagna, the most eclectic of tenors, invites us to discover his extra-lyrical universe, that of his origins, which bring him closer to his passion for popular song. From Sicily to Little Italy, this compilation features more than twenty songs that have marked the artist's career. With the collaboration of famous musical directors such as Yvan Cassar and Frédéric Manoukian and their orchestras, Roberto Alagna performs his favorite songs, some festive, some moving, such as Mambo Italiano, Piensa en mi, and Mexico.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.