Arsseni Bultmann

Vlad has just moved and joined one of the most famous magical schools in the world, where he meets fairies, witches, trolls and dwarfs. Him and his father are the first vampires in town, but he soon meets other special kids.

Young industrialist Clemens Klina doesn't have time for his children and accidentally hires a man who actually came to him, seeking revenge, as a nanny for them.

Growing up on the grounds of one of Germany's largest psychiatric hospitals is somehow - different. For Joachim, the director's youngest son, the patients are like family. They are also much nicer to him than his two older brothers, who drive him into fits of rage. His mother, painting watercolors, longs for Italian summer nights instead of constant German rain, while his father secretly, but not discreetly enough, goes his own way. But while Joachim slowly grows up, his world, not only through the loss of his first love, gets more and more cracks...

Toni and Marc want to divorce, because the great passion seems to be extinguished after 15 years of marriage. It should be a consensual separation, but the new beginning is not so easy: Both have just the chance of a job abroad.

Fourteen-year-old Jeanne has lived in a farm commune since she was two years old. Her mother and father live in city communes and rarely visit. This is one of the commandments given by Otto, who rules the commune: children are to grow up without parents. Knowing nothing else, Jeanne enjoys her outdoor life, surrounded by lots of other children, until she falls in love with 16-year-old Jean and her childhood paradise begins to fall apart.

Follows the lives of different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic few days before Christmas in Frankfurt, Germany.

After Dr. Patricia Engel experienced a treatment error with a fatal outcome that was also covered up, she gave up her promising career as a doctor and became a lawyer. When she once again comes across a medical error in the clinic of her father, heart specialist Professor Brenner, of all people, she tries everything she can to save the patient. But the surgeon turns against her and sics a lawyer on his daughter.

One day, robot Robby enters into a life of the most creative little boy, Toby. Robby had been separated from his robot parents when his spaceship crashed. Toby decides to offer his help and the two of them become friends.

Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.

Shows the interaction between Hamburg police officers and paramedics.

When Peppi (36) finds out he wasn’t invited to the class reunion, his self-image starts to crack. Fuck! Forgotten? Uninvited? – This must be a mistake! Searching for answers, we follow Peppi to his old hometown and back to the past of his 16-year-old self: Skateboarding with bleached tips through the monsoon of the 2000s. The era of flip phones, lan parties, and Top of the Pops. But alongside the wild, nostalgic memories lurk some dark teenage sins. Maybe there are reasons why Peppi shouldn’t have been invited after all. CHABOS is like an old Facebook profile you’ve scrolled too far down — full of shame.