Edward Yang

Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

Over the course of a few days, the paths of a group of young friends, lovers, and acquaintances in Taipei intersect, prompting them to arrive at realizations about their lives.

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

A young woman leaves her home and boyfriend in rural Taiwan for Taipei with dreams of entering the entertainment industry and gradually discovers the complicated ramifications of her pursuit. A 2-part TV movie and part of the groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.

Amid a rapidly changing cityscape, the lives of a disparate group of swindlers, hustlers, gangsters, and expats collide, with a naive French teenager and a sensitive young local who tries to protect her caught dangerously in the middle.

It portrays the tumultuous life of a middle-class couple and the reshuffling of relationship dynamics when the woman's young assistant and their landlord become involved, presenting urban life as observed by Yang through a multitude of rapid dialogue.

Only the lack of roses in every frame prevent this teen romance from being a live action Shojo Manga.

Direct-to-video music film co-directed by three major figures of the Taiwanese New Cinema featuring song by Edward Yang’s then wife Tsai Chin.

The lives of two young thieves, a mob hitman and a film producer are entangled when the two thieves steal a car that had already been previously stolen to been used as a getaway car.

A professional hit-man is hired to take out a target -- however, his girlfriend’s pregnancy gives him second thoughts. He decides that after this job, he will renounce his profession and turn himself in. This is the first feature film from Taiwanese director Alex Yang, who participated in script-writing and production on Edward Yang's early films. "The Trigger" has echoes of Yang's "Mahjong." The actors in the film, except for veteran Ngai Man-Yin, are all new faces -- unfortunately, Ngai's death in 2005 also made "The Trigger" his last appearance on screen.

Filmed performance of Yang's one-act two-character play which shifts back and forth from comedy to much darker tones as a married couple try to figure out what to do with the body of a man the wife has killed in their kitchen.

Tsui Hark stars as Chinese artist and Buddhist monk Li Shutong, a.k.a. Master Hong Yi. Li travels to Japan to study Western artistic practices, and revolutionizes the teaching of art in China upon his return. Set during the turbulent era of the Russo-Japanese War circa 1905.

Of the many unrealized projects Yang developed in the wake of Yi Yi, the one that came the closest to fruition was an ambitious animated martial arts movie inspired by his lifelong love of graphic novels and his friendship with Jackie Chan. Though production on The Wind was halted after Yang’s death, this brief assembly of completed scenes offers a glimpse of what might have been. Courtesy of the Taiwan Film and Audiovisual Institute. – Film at Lincoln Center