Lisbeth Movin

Acting

Lisbeth Movin

Born August 25, 1917 · Odense, Denmark

Died November 7, 2011 · aged 94

Lisbeth Movin was a Danish actress of stage and film best known for her role as Anne, the pastor's wife accused of witchcraft in the film Day of Wrath directed by Carl Theodor Dreyer. She also appeared as the widow in the screen adaptation of Babette's Feast, directed by Gabriel Axel.

Known For

Babette's FeastBabette's Feast · 1987
Babette's Feast
7.21987
MovieDramaHistory
A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.
Day of WrathDay of Wrath · 1943
Day of Wrath
8.01943
MovieDramaHistory
In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne's older but kindly husband, Pastor Absalon saved her mother -- but now, urged on by his overbearing mother, he refuses to help Marte. When Absalon's son returns home and is attracted to Anne, it's a matter of time before her family destiny catches up with her.
Dangerous KissesDangerous Kisses · 1972
Dangerous Kisses
7.71972
MovieDrama
In this Danish suspense film, the foibles of the psychological helping professions are wryly surveyed. A woman has murdered her husband. That's clear enough. Now the woman is in a psychiatric hospital because it seemed clear to the judges that she was not fully competent. Her doctor, who is helping her a great deal, has problems of his own. First, he is against the cookie-cutter treatment practices of his hospital, second, he is on shaky mental ground himself. Then he violates his therapeutic ethics by carrying on an affair with the woman he is treating.
VærelsetVærelset · 1970
Værelset
7.01970
MovieDrama
The married couple Pierre and Eva live in a conventional middle-class environment, but Pierre increasingly feels alienated from people and things.
The Red MantleThe Red Mantle · 1967
The Red Mantle
5.91967
MovieDrama
Seeking revenge against the rival clan responsible for the killing of his father, Hagbard calms down long enough to establish a truce. During a peaceful interlude, he falls in love with Signe, the daughter of the king of the rival clan. However, Hildegisl, who desires Signe's hand in marriage, disovers the young lover's plans to wed and sets out to bring about the end of Hagbard.
A Sailor goes ashoreA Sailor goes ashore · 1954
A Sailor goes ashore
6.31954
MovieComedyFamily
Frederik Larsen (Lau Lauritzen Jr.), a sailor and has sailed since he was 15. Now he has lost the desire for a sailor life, especially after his best friend Bob was lost in a hurricane. When his ship docks at Copenhagen, shortly before Christmas, he signs off with all his hire on the pocket. He seeks accommodations in sailor home Bertel, located on the nice side of Nyhavn. Here he can stay and eat for very little money. He delivers his kitbag to the concierge Henrik (Mogens Hermansen) before he was lured by accordion music and the laughter that comes to him from the "naughty" side of Nyhavn. In the Cafe "The black sails", he accidently joins Inger (Lisbeth Movin) at the same table, whose profession is not in the phone book, although it is the world's oldest. Inger is in the company of an unemployed stoker Vladimir W. Olsen (Poul Reichhardt) that is full of scams, and has a good mood.
Me and My Kid Brother and DoggieMe and My Kid Brother and Doggie · 1969
Me and My Kid Brother and Doggie
5.81969
MovieComedy
The third film about the two good-natured brothers Søren and Peter and their family on the small island of Bomø. This time, the brothers have acquired a soccer-loving dog named Bølle, who turns out to be able to predict the results of betting pools. This causes chaos in the betting service, on Bomø, and at Christiansborg.
Final ActFinal Act · 1987
Final Act
5.51987
MovieComedy
FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Filmography

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A Sailor goes ashoreA Sailor goes ashore · 1954
A Sailor goes ashore
6.31954
MovieComedyFamily
Frederik Larsen (Lau Lauritzen Jr.), a sailor and has sailed since he was 15. Now he has lost the desire for a sailor life, especially after his best friend Bob was lost in a hurricane. When his ship docks at Copenhagen, shortly before Christmas, he signs off with all his hire on the pocket. He seeks accommodations in sailor home Bertel, located on the nice side of Nyhavn. Here he can stay and eat for very little money. He delivers his kitbag to the concierge Henrik (Mogens Hermansen) before he was lured by accordion music and the laughter that comes to him from the "naughty" side of Nyhavn. In the Cafe "The black sails", he accidently joins Inger (Lisbeth Movin) at the same table, whose profession is not in the phone book, although it is the world's oldest. Inger is in the company of an unemployed stoker Vladimir W. Olsen (Poul Reichhardt) that is full of scams, and has a good mood.
Final ActFinal Act · 1987
Final Act
5.51987
MovieComedy
FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...
MatadorMatador · 1978
Matador
9.11978
SeriesDrama
Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

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