Susie Bright

Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.

The sexual fantasies of women are explored by four female directors.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.