Nguyen Ha Phong

In an old house in Hanoi, Bi, a 6-year-old child lives with his parents, his aunt and their cook. His favorite playgrounds are an ice factory and the wild grass along the river. After being absent for years, his grandfather, seriously ill, reappears and settles at their house. While Bi gets closer to his grandfather, his father tries to avoid any contact with his family. Every night, he gets drunk and goes and see his masseuse, for whom he feels a quiet strong desire. Bi's mother turns a blind eye on it. The aunt, still single, meets a 16-year-old young boy in the bus. Her attraction to him moves her deeply.

The vibrations adolescence, nostalgia injured ones in the battlefield, the dreaming and wondering aimlessly early ... has created space for a story fairy with her An.

Saigon, early 2000s. Photography student Vu has just arrived from Vietnam's backwaters and is immediately attracted to his handsome roommate Thang, who works odd jobs as a bouncer and low-level drug dealer. Entranced by the nocturnal rhythms of Thang's world, Vu follows him around the city where he meets Van, a ballet-cum-exotic dancer and Thang's sometimes-girlfriend.

A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

Amidst the forest of Trường Sơn mountains, Thảo and four other girls are assigned to guard a major supply depot on the Ho Chi Minh Trail. As the war progresses and their health deteriorates, the girls begin to suffer from hysteric episodes where they become manic and laugh uncontrollably.