Kevin Graal

A journey into the centre of Hell; Dante's The Divine Comedy, illustrated by Gustav Dore's wood engravings and animated by scratching directly into the surface of the film.

Territories is an experimental documentary about the Notting Hill Carnival. It locates the event within the struggle between white authority and black youth, in this case over the contested spaces of the carnival, and reflects on its history as symbolic act of resistance. The film makes the case using montage: cutting carnival scenes with archive news reports - police surveillance to rioting in the street - and crossing looks of desire with alienation, from police to reveller, woman to man, man to man. Add to this a disembodied, political critique and trenchant images of police violence and the audience soon becomes aware that the documentary itself is part of the resistance.

A gay poet heads west from New York City in his convertible. He picks up a muscular sailor who's bisexual; then Jackie, a waitress at a diner, joins them. Jackie is attracted to the poet who rebuffs her romantic gestures; rejection fuels her continued interest in him. The sailor and the poet are bonded by sex, but the sailor's frank advances to Jackie make him uninteresting to her. The sailor can get violent, the poet is passive, Jackie is glamorous and detached. The landscape changes, they stop in cities and in the desert. They reach a lake. Who will be left out of a final pairing?