Lalit Tiwari

Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga.

The true story of legendary Hindu warrior king "Prithviraj Chauhan" including his early military successes, love story with Sanyogita & clashes with Muhammad of Ghor, a ruler of the Ghurid dynasty who led the foundation of Muslim rule in the Indian subcontinent.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Sapna, the daughter of a rich family's chauffeur, fantasizes about wealth and romance. When the family's younger playboy son falls for her, his parents and his responsible, workaholic older brother Vijay vow to break the couple up. However, things quickly become complicated when Vijay finds himself developing feelings for Sapna as well.

After resigning from the presidential post of the Indian National Congress, Subhas Chandra Bose plays an important role in India's freedom struggle during World War II.

A man shares some lazy memories about his friend, Manek Mulla, who had a knack for telling stories. On this particular afternoon, Manek narrates a 'unique' love affair with the help of different stories, various characters' point of views and the social relevance of these stories. As these stories proceed, reality mixes with fiction.

Fate leaves Chandni shattered as her love Rohit disappears from her life. She meets Lalit and they befriend each other until Rohit knocks on her door.

Viren falls for Pallavi, but she marries Siddharth. The couple dies, leaving behind their daughter, who grows up to look just like her mother and falls in love with Viren.

Two con artistes and car thieves, Vicky and Sakshi, are faced with death when they accidentally kill Bhanwarlal's brother. Bhanwarlal and his other brother both swear to avenge the death of their brother and mistakenly kill Rohit Verma, who is a look-alike of Vicky.

A man leaves his house. Another applies for leave in his office. A third finishes his tea. Another gets himself shaved. All four are fresh entrants in the world of crime: kidnapping to be more precise. But the father of the kidnapped boy refuses to pay up. The son has already played this trick before and collected good ransom. The father does not believe this time it is a real thing; The kidnappers get desperate. The son has in idea. The plot thickens.

Natasha and her fiance, Sunny visit her ancestral property where she meets Devdhar, a man who she forms a passionate connection with.

Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.

Anwar, a middle-class Muslim, falls in love with Mehru, a Hindu girl. Post her death, he is caught by the police and a misunderstanding leads them to believe that he is a terrorist.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

NRI Shyam goes to India to fulfil the last wish of his late mother, who wanted him to marry an Indian girl. Unbeknownst to him, the girl he falls in love with is a pawn in the hands of his enemies.

Sardar is a 1993 Indian biopic on Sardar Vallabhbhai Patel, one of India's greatest freedom fighters, directed by Ketan Mehta and written by noted playwright Vijay Tendulkar.

Two retired colonels are at odds with each other because one of them had been a traitor to the country. The grandson of the traitor and the grand daughter of the other colonel fall in love but have to surmount a number of obstacles

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

One of the employees of Vijay's parents, Babu, is sentence to a long jail term for killing them. In hot pursuit to avenge the death of his parents Vijay wait until Babu is release from jail and confronts him. It is this confrontation that will change Vijay's life as Babu confides to him that he was framed for the murder of his parents; this then lightens up a man-hunt for the real perpetrators of this crime.

Om, an adolescent boy living in an Indian village, is good at only one thing: holding his breath for a long time. His father Babuji left his government job to dedicate his time to astrology. Fascinated with magic and religion, Om visits a fantasy city and takes a home close to a frog pond.

The film revolves around the story of five women, belonging to different generations, each looking for emancipation and the right to run their lives their own way. The film's main theme is the issue of women's 'fertility rights' empowerment.

Mahima lives a middle-class lifestyle with her parents, Pooja and music teacher,Gautam. She is in love with a young man, Anuraag, whose foster father, Pratap, is very friendly with Gautam. Both Gautam and Pratap arrange to get the youngsters married, however, when they arrive at Pratap's house, they are met with open hostility by Pratap's wife, Shanti, her sons, Sukhpal, Shripal, and their respective wives Shobha and Suman, and do not approve of her as she did not bring in any dowry. Nevertheless, Mahima, a devotee of Devi Maa Santoshi, decides to win them over with her love and hard work. Then Anuraag is accused of stealing one Lakh rupees from the family's electronic showroom, he vehemently denies this, and even offers to leave for Bombay, earn the money and then return.

Urdu, the Hindustani language whose words resonate music, is fast dying. So is Babba, an old Urdu poet who is dying an unknown death. Having shut his eyes to the callous world that weighs art with money, he has woven a charming little world of his own. Babba's state of nonchalant bliss inadvertently drives his daughter Minni into a world of bitter silences. And, across the road lives Pappan, a small-time debt-ridden publisher who is eyeing Babba's treasured verses and his beautiful daughter. A self-indulgent, romantic old man, a stoic but essentially soft-hearted daughter and an opportunist but naive publisher. Amidst all this, Babba, Minni and Pappan struggle to keep their culture alive, their ethos alive, their language alive, their love alive ... in vain ...

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

How the constitution of the largest Democratic Republic in the world was created.

The Sabka Sai series narrates the chronicles of Sai Baba from his youth to old age. It even shows the sceptics who did not believe in the miracles of Sai at first, but gradually became believers. Sai Baba is known to bring people of all ages, classes, religions and genders together in the name of humanity. Propagating the message of there being only one God, Sai Baba’s teaching remains relevant even today.