Marta Pićurić

A man with somewhat antisocial behavior and a particularly rude and harsh style of dealing with his clients falls in love with the wrong person, who is also his customer. He is a car junkie on the outskirts, while she is a young actress on the rise. They are brought together by an old car, which to the young actress remains as a memory from her grandfather. After initial rejection, he's the only guy in town who can fix that old timer, and she's the only one who makes him realize that cars might not be the center of the world.

Petar is a retired detective and all he has left is his daughter Iskra. His pensioner's days are interrupted when Iskra disappears. The pursuit to find Iskra begins and the investigation takes Petar back to his past.

Due to the untimely death of her husband, Jelena spends the whole year in a tangle of feelings of endless sadness and guilty conscience. This depressing routine is broken one day by a visit from her mother, Andja, who brings a pot of her famous chicken soup.

"The Flood" is a story about unjustifiably big ambitions of small people from the periphery of life and events, who, due to the sudden circumstances in which they found themselves, forget who they are and where they come from. The film, among other things, explores human weaknesses.

During the 1990s, Beli was a part of an elite paramility unit known as The Lions, that performed acts of terror and ethnic cleansings on the civilian non-Serbian and non-Montenegrin populus in Bosnia. Decades later, his deeds catch up to him after a video of a an execution he recorded is mysteriously uploaded to YouTube, garnering the attention of Interpol and the Hague. Furious and scared for his life, he murders a wealthy Scandinavian businessman and his wife, kidnaps his younger brother and takes them to a small town on the Montenegrin coastline where he holds an old comrade of his hostage, threatening to murder his daughter if he doesn't comply to forging his documents. However, things soon complicate after Beli's brother falls in love with the woman whose life now stands on the line.

‘Borders, Raindrops’ is a film about love, maturity, and hope, growing in a barren and abandoned landscape. The film is divided in two parts, with the protagonist, a young woman – Jagoda – connecting them as a ghostly presence, bringing hope and reconciliation within the two narratives. She is a student visiting family in the summer, living in the declining villages of former Yugoslavia, overlooking the Adriatic coast. In the first story she bonds with a cousin in his mid-thirties, who is building a house in the village, but has no one to marry and live with him. In the second, she helps a teenage cousin understand that his nation is no better than others, and that they all have to learn to live together on the recently established borders.

A small boy Radenko lives with his alcoholic father, a retired bricklayer, in a modest shack in the outskirts of Podgorica (then Titograd). To support himself and escape from everyday reality, Radenko finds work at a local tavern where he starts singing folk hits, and the guests soon embrace the talented little kid who in turn starts making proper cash for himself and his manager Radovan. But the boy's shady behavior starts to emerge which prompts Radovan to call off his singing arrangement, while father's deteriorating addiction takes the toll in health as well. The boy finds himself left on his own and receives a visit from a social worker, who informs Radenko he's about to be sent to a juvenile hall. The lead role was played by a real-life juvenile offender Radenko Karac, who basically delivered his own life in this TV film.

On the outskirts of town, in a small house beneath a hill, Bela lives in the quiet rhythm of her daily household routines. After hanging laundry, she is approached by Nada, a Roma girl, who tells her fortune from the coffee grounds. Guided by this small sign, Bela spends the rest of the day awaiting her son. When she learns that he will not come, silence settles back into the house. In that silence, Bela turns inward, where she begins to feel the presence of her late husband return.