Olaf Möller

A documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."

Women and their children disappeared without a trace in a mountain near Rome. The case remains unsolved and therefore becomes a myth and the film sets out to discover what this and a myth actually is, namely an expression of past history in time and space. We see like in a very old play the appearance of the actors playing the myth, who become more and more intensely mythical themselves. They speak up and yet suffer, they are just playing and yet they are guilty. The narrator, the choir, the revenge, the madness, the love, the death. This is what Blue is made of!

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.