Francis Hime

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

At Pedrinho's request, Dona Benta begins to tell the legend of the Minotaur. In the middle of the story, a strange visitor appears on the farm and takes Aunt Natácia to some unknown place. Upon discovering that she was kidnapped by the Minotaur, the whole gang goes on an adventure to try to save Aunt Nastácia. And that's when the fun begins.

Couple of lovers want to steal the income of a popular soccer game, at Maracanã Stadium, in Rio de Janeiro.

Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

A true friendship develops between Jojô, a prostitute Rosa, and the young Eduardo, who survive on the streets of Rio de Janeiro. Everything goes well until ambition takes over the trio, causing friends to aim for bigger goals, planning a big assault that could cost them their lives.

In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.

In 1970, the Esquadrão da Morte (Death Squad)' crimes for the refinement of violence provoked a wave of reactions throughout the country. The photos of the victims, adorned by the skull, symbol of the group, caused an uncomfortable indignation. This is the story of Mateus Romeiro, the most famous of the policemen, who was part of the Homens de Aço (Steelmen) group, one of the factions in which the squadron was divided.

A German governess is hired to give German and piano lessons to the teenager son of a rich traditional family, in the 20s. But soon they get involved, and she teaches him love lessons instead.

The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.