Teruko Kishi

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

Kiku and her brother Isamu are social outcasts, children of a prostitute mother and black GI father, in postwar Japan.

A demobilized soldier becomes a day laborer with a road construction gang, and his wife goes to work to bolster their income. Their modest dream is to see their son grow and to be happy as a family.

The film tells the story of four orphans living in an impoverished mining town. An adaptation of a best-selling book based on the diary of a ten-year-old zainichi (ethnic Korean Japanese) girl, it was one of the first films to deal with the subject of zainichi identity and struggles in Japan.

The story contrasts the life of two doctors, former classmates and now both assistant professors at Naniwa University Hospital in Osaka. The brilliant and ambitious surgeon Goro Zaizen stops at nothing to rise to a position of eminence and authority, while the friendly Shuji Satomi busies himself with his patients and research.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

With her family suffering from extreme poverty, Yuko, as the eldest daughter, is sold to a successful brothel in Kyoto. There she is assigned to serve Takamatsu, one of the brothel’s top customers. But while Takamatsu falls madly in love with Yuko, she finds herself attracted to a young priest named Kunugida. Torn by jealousy, Takamatsu hatches an evil plan to tear them apart.

Towards the end of WWII, a black American pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their 'catch'.

After their father dies, his children try to get by on a house boat.

Two young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist.

Drama which shows the struggle of Fumiko, a female teacher, at work and at home.

Shimada is a student of U College. When the college's baseball team wins the day, he and his friend Ito drug two girls they met at the game.

It's a story of the life of a man who advocated the necessity of sex education to children, which was unusual at the time, solely opposed to the amendment of the Peace Preservation Law, and was assassinated by a rightist prior to his opposition speech.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Tsutomu Yoshioka, a Tokyo office worker, is engaged to Mariko, the niece of his company's president. But Yoshioka has a crisis of consence when he remembers his former love Mitsu, a rural girl whom he met and later left while in college. Shimako, a former friend, persuades Yoshioka to meet with Mitsu while she plots to blackmail Yoshioka by photographing the meeting to break up Mariko and Yoshioka.

A fishing union depends on two brothers to make up the losses caused by the dishonest captains they replaced.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

When a group of men from the Hanya clan search his town for a missing geisha, a brave ronin decides to help her and a drunken calligrapher. In doing so, he uncovers a wider scheme.

A coming-of-age story portrayed as the loss of all youthful illusions. Sixteen-year-old Yoichi dreams of becoming a sailor. His parents are fishmongers, and Yoichi lives together with them and his four siblings in cramped living conditions. His beloved younger sister is given to a wealthy, childless uncle; his best friend moves away; the girl he fell in love with from afar is with someone else: little by little, Yoichi loses all the people that are important to him.

The Tsuru family is a family of nine, headed by Kamejiro. Kamejiro is the president of a construction company that has made a fortune in its first generation, but he is a one-man family. His wife, Aiko, is a typical good wife and wise mother type. Kamejiro gets angry and thunders down every week, and the children are afraid of him, calling him "Oyaji Daiko", but he also takes advantage of this.