Sachiko Hidari

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

With his penultimate film, Uchida revisited one of his popular prewar titles, 1936’s Theatre of Life, an adaptation of Shiro Ozaki’s eponymous novel. Three-time Seijun Suzuki collaborator Goro Tanada wrote a gangsterized adaptation of Ozaki’s story for Uchida at a time when the yakuza had eclipsed the samurai genre as Toei's main cash crop. Protagonist Hishakaku murders a man in a quarrel over a barmaid and goes to jail. In his temporary absence, his girlfriend Otoyo, a former geisha, falls for Hishakaku’s brother, inciting a dangerous love triangle that, in typical yakuza fashion, ends tragically.

A war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth.

A band of warriors journeys to Mount Oe to rescue abducted women from a demon, overcoming supernatural threats like a giant spider and a diabolical witch along the way.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Yoshinori sells plots of land in a cemetery, and is involved in a stale ten-year-old marriage with bored housewife Atsuko. When Atsuko makes a male friend at her leather-working class, Yoshinori has a fit. This is on top of the myriad of odd clients that he must appease.

A reporter Takuo, who is sleeping in the newspaper room of the Maichō newspaper company, receives a sudden report from a reporter that the missing Akiyama JNR president was found dead.

In order to pay back Mrs. Kajiki for her good deed in the past, Hatsu moves from her village in Akita to Tokyo to start working as a maid for her family. She grows close to their youngest son Katsumi, experiencing things that will change her view on life.

Police beat a murder confession out of four innocent men who are then sentenced to death. Based on a true story.

Three young women make a suicide pact, but they grow to have a better understanding of themselves.

Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.

The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

Shokichi, the owner of the clothing store, lives with his daughter Hideko and plans to open an art gallery. One day, Hideko led a handsome art student, Shohei and a poor painter, Sohei. Sohei’s painting was praised by a great printer at the completion ceremony of the art gallery. Since he became successful as a painter, but he looked quite indifferent. Around the same time, Shohei’s sister brought Sohei’s pictures to the gallery and Shokichi noticed that she was a daughter of his first love.

The story of a selfless mother and her family throughout the decades, from the 1920's to the 1960's.

Suicide has long been used as a form of social protest in Japan. In this film, set in 1703, samurai culture is being transformed by the emergence of a new merchant class. Elements of the social contract are beginning to unravel, and some unscrupulous people took undue advantage of these changes before the social order was re-created. In this story, a rich merchant gives his clerk an I.O.U. instead of wages. When the impoverished clerk presents the paper to the merchant at the agreed upon time asking for payment, the man flies into a rage and pretends he never wrote it and claims the clerk is trying to defraud him. Then he sets his henchmen on the clerk to administer a beating.

A young woman begins murdering all those responsible for her ailing father's condition. Because the girl is so outwardly sweet and innocent, the detective looking into the deaths does not suspect her.

The story revolves around a young man appointed to rescue a troubled hospital who must choose between two women, a dedicated nurse or a spoiled rich girl.

The 13th NHK Asadora. Starring Youko Takahashi in a story about a brother and sister coming of age in Hakodate and Kanazawa.

The chronicles of Sakamoto Ryoma, a pre-revolutionary who helped shape the face of modern Japan. In order to study swordsmanship, Ryoma heads for Edo where he meets many people who influence his thinking. He becomes close friends with men like Katsu Kaishu and Saigo Takamori and later establishes a naval training school in Kobe. Ryoma's controversial political views make him a target for shogunate assassins but his fervent belief in a classless society helps forge the Choshu-Satsuma alliance which ultimately brings about the Meiji Restoration.