Sanshō Shinsui

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

A businessman kills his adulterous wife and is sent to prison. After his release, he opens a barbershop and meets new people, talking to almost no one except for an eel he befriended while in prison.

Set in the late 60s in a small seaside town, this coming of age drama centres on a young girl named Nagisa. She spends her summer holidays working in a local seaside bar, searching for her lost cat, dancing to rock’n’roll and discovering first love.

At the time between the World Wars, Japan is involved in empire-building throughout East and Southeast Asia. After a brief career as a low-level military adventurer, Iheiji sets up chains of brothels throughout Asia. As Japan's power in the region grows, so does Iheiji's prosperity and patriotism.

When radicals from Japan's Red Army took a woman hostage in the resort town of Karuizawa, Nagano in 1972, Officer Atsuyuki Sassa was put in charge of diffusing the situation. But the task had its challenges. Upon arriving in mountainous Nagano, Sassa had to compete with freezing winter temperatures, conflicting opinions between the Tokyo Metropolitan Police and the Nagano Prefectural Police, as well as public opinion to gain entrance to the lodge that held the single woman captive.

A three-member motorcycle gang spends its time raping women until one member’s sister gets involved.

The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

2 almost inseparable friends. The talented painter recognized by all decided to leave the town where they live and become an artist and the shy poet who only sees his future in his mother's business.

A scientist realizes his dead wife is an organization of mitochondria bent on making a new species that will wipe out humanity.

Six unknown people move to the declining seaport city of Uobuka. Unremarkable city official, Tsukisue, is appointed to welcome them, but finds out the shocking truth that all of them are former murder suspects. Before long, an uneasiness begins to creep over the quiet city.

A wife, bored with her husband, meets one of his old friends at a party. He manages a strip club. Intrigued, she goes with him to visit one of his clubs. One of the strippers is upset and the manager has to pleasure her to calm her down. The wife is aroused by the sight of this and later invites him to her house. There they begin a passionate affair behind her husband’s back.

Ryoro Kurojima is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

Upon reaching the train station to death, a dejected soul is informed that he is "lucky" and will have another chance at life. He is placed in the body of a 14-year-old boy named Makoto Kobayashi, who has just committed suicide.

In the desert of Egypt, Kurata, the CEO of the Japanese corporation Tokokaihatsu, is killed by a sniper. After the news reaches Japan, the CEO's lawyer, Yamamoto, receives a visit from two men that attempt to steal the deceased CEO's will. This is witnessed by two detectives, Tsuzuki and Ōnuki, but they fail to catch the perps. Yamamoto hands the detectives a set of keys before he stops breathing. Tsuzuki and Ōnuki now have to investigate Kurata's murder...

A yakuza family goes into show business.

Rise of the Underworld Lords— The mighty Murohachi Alliance, once unifying Japan’s yakuza under Kyoto, collapses, and a fierce struggle for supremacy erupts nationwide. In Owari, Nobuhide Oriki (Tokuma Nishioka) leads the Oriki-gumi on a campaign for unification. His eldest son and underboss, Nobunaga Oriki (Hitoshi Ozawa), believes in conquest through brute force, seizing territory by any means. Meanwhile, Shingen Takebe (Shun Sugata) of Kai wages war in Shinshu, clashing with Kenshin Uemura (Ryuji Harada) of Echigo. In Aki, Motonari Mōriya (Shinichi Chiba) expands his Mōriya family’s reach across the Chugoku region. And in Suruga, Yoshimoto Imanishi (Naoya Makoto) and his Imanishi-gumi, vowing to crush the Murohachi Alliance, launch an invasion into Owari. Acting under orders, Ieyasu Tokusawa (Yasukaze Motomiya) collides with the Oriki-gumi—plunging the underworld into an age of war.

War between North Korea and Japan

The third series of action series depicting the success of a woman torpedo who was caught in two groups of conflicts at a small port town in the Seto Inland Sea.

Yōsuke Kenjō, an eccentric detective from Ise Police, deals with repeat offenders. He’s called in to investigate a series of brutal murders of women with criminal records. The victims are found naked, with scattered photos and a 15-digit number printed on an "ear tag", a cattle identification tag. Frustrated by the lack of leads, Kenjō investigates on his own and uncovers a connection to cell phones.

Set in a prison, this fifth installment of the Mahjong Horoki series follows amateur gambler Tetsu and his companion An, both jailed after a confrontation with a death-row inmate. There, a warden secretly brings a mahjong table into the cell, leading to high-stakes games where prisoners wager meals and status to survive.

The fall of Yoshimoto Imanishi spreads Nobunaga Oriki’s (Hitoshi Ozawa) reputation across Japan. In Omi, he forges a brotherhood oath with Nagamasa Asakawa (Daisuke Nagakura), further extending the Oriki-gumi’s influence. Alarmed, National Police Agency Director Ichijo (Masahiko Tsugawa) orders their destruction. Meanwhile, Ieyasu Tokusawa (Yasukaze Motomiya) abandons the Imanishi-gumi, declaring independence as the Tokusawa-gumi. Upon learning this, Nobunaga extends his hand, joining forces with Tokusawa in pursuit of nationwide unification. Elsewhere, Yoshiaki Ashitaga (Kazuyoshi Ozawa), ousted from the Murohachi Alliance, seeks to rebuild it, turning to Shingen Takebe (Shun Sugata) for aid—but is coldly passed around. And from Fukui, Mitsuhide Akashi (Mikio osawa) of the Amakura-gumi moves the pieces of the board, pulling the Oriki-gumi into the next great upheaval.

From a trivial request, a tremendous shadow of organized crime rolls out... A kind-hearted detective and his wife confront a difficult case in a big city!

Kabukicho, Shinjuku. Shoichi Sakurai meets a man who goes to a mahjong parlor from 9am to 5pm and realizes that there is something missing in his mahjong. Next, a soba restaurant owner from Karuizawa who lost his land because of mahjong appears before Sakurai. Sakurai teaches him mahjong when he asks for his help, but...

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.

Dr. Shindo seems cold, but is a competent surgeon. He is also an ER doctor capable of accurate decisions and treatment, who always tries to see things from the patient’s side. Although once retired from his profession, he one day discovers someone in need of help, who he treats and rushes to the Kohoku Medical University Emergency Center. This incident encourages him to once again work as an ER doctor. Confrontation erupts between female doctor Tamaki, and Shindo, now a just-arrived ER doctor. While this human drama depicts the relationships among doctors and nurses, it appeals emotionally to viewers on the subject of life.

Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.

After awakening in the Edo era, a neurosurgeon uses his medical knowledge to help those around him while searching for a way back to the present day.

After a botched robbery at the Kurokawa Financial Company leaves security guard Satoru Aizawa (Nagase Tomoya) fatally wounded, a freak lightning strike pulls him back from the brink of death, leaving him with the unwanted ability to see the dead. While hunting for the truth behind the heist that claimed his best friend's life, he crosses paths with Toranosuke Kihara (Okada Junichi), a cynical freelance detective who shares his strange gift. The two former strangers form an unlikely partnership, navigating the Tokyo underworld to settle scores for the living and find peace for the restless spirits left in the wake of the city's crimes.

Denshichi of Kuromon-cho hates crime and hates people. He is a stylish and kind Okakitori. Denchichi is a chivalrous and gentle okabiki, and he will not tolerate bad people under the ten purple hands of Murasakibusa, entrusted to him by the magistrate of Toyama. Denchichi is sent by Koi Nyobo's fire to destroy the evils of Edo.

On approaching her 20th birthday, Yuki happily returns to Japan to see her penpal, Junpei. However, Junpei doesn't want to see her as he is the one who had caused her brother's death three years ago. Though the truth reveals one day, Yuki still loves him. The couple finally decides to get married despite the strong objection from Yuki's father and aunt. And just two days before their wedding bells ring, Junpei gets stabbed by his ex-accomplice. To keep his promise, Junpei bears the pain and completes the wedding ceremony with Yuki

Takashi's mother, Chise, lost her home in Miyagi in the Great East Japan Earthquake, and is hospitalized with terminal cancer near Takashi's house in Kanto. She is concerned about her second son, Takumi, who has not been in contact with her. Takashi has complicated feelings for Takumi, who has always been the recipient of his mother's love. The brothers, who were born and raised in Tohoku and have different personalities and lifestyles, are reunited when Chise falls ill, and the three decide to head to Matsushima at Chise's request, who has only a short time left to live. Matsushima is the only place they remember where they went on a family trip after losing their father at an early age. They encounter various people and see the disaster area spreading out. The group continues their journey with their own thoughts in mind...