Glen Zipper

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.

A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.

Deep Web gives the inside story of one of the most important and riveting digital crime sagas of the century -- the arrest of Ross William Ulbricht, the 30-year-old entrepreneur convicted of being 'Dread Pirate Roberts,' creator and operator of online black market Silk Road. As the only film with exclusive access to the Ulbricht family, Deep Web explores how the brightest minds and thought leaders behind the Deep Web and Bitcoin are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.

With the help of more than 10,000 dedicated Zappa fans, this is the long-awaited definitive documentary project of Alex Winter documenting the life and career of enigmatic groundbreaking rock star Frank Zappa. Alex also utilizes in this picture thousands of hours of painstakingly digitized videos, photos, audio, writing, and everything in between from Zappa's private archives. These chronicles have never been brought to a public audience before, until now.

Newly discovered interviews with Elizabeth Taylor and unprecedented access to the star’s personal archive reveal the complex inner life and vulnerability of the groundbreaking icon.

The explosive trajectory and tragic demise of iconic music retailer Tower Records, and the legacy of its rebellious founder Russ Solomon. Two hundred stores in thirty countries on five continents. In 1999 it made $1 billion. In 2006 it filed for bankruptcy. What went wrong?

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.