Edmonda Aldini

Four short films by four different directors dealing with the principles of modern life. "Illibatezza" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. "The New World" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. "La ricotta" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. "Il pollo spante" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.

The struggle between a ruthless leader of a bank robbers and the cops who are determined to put him in jail for long.

Television special of five episodes directed by Alfredo Di Laura dedicated to the exhibition "Attivo. Performance e Dibattiti" curated by Tommaso Trini.

Insatiable playboy Marco Donati decides to marry his latest flame, the beautiful Francesca. When the news gets into local newspapers, many of his former lovers are annoyed.

Yerma wants a child but with her dispassionate husband has failed to conceive. On the other hand, Victor courts her but the sense of caste and honor prevent from surrendering to him.

Tales of knights and princesses, wizards and sorceresses. Featuring an invisibility ring, a hippogriff, and a trip to the moon. Based on a sixteenth-century Italian chivalric poem by Ludovico Ariosto.

Miniseries adaptation of Gustave Flaubert's novel. Frédéric Moreau, an eighteen-year-old provincial youth, full of dreams and rather attractive, comes to Paris to study. From 1840 to the evening of the coup d'état in 1851, he learns about the world in a society in turmoil. Along the way, he encounters true love and the contingencies of pleasure, the Revolution and its false apostles, art, the power of money and stupidity, the reversibility of beliefs, brotherly friendship, and the inevitability of betrayal, without ever managing to commit himself to any cause other than that of following the loss of his illusions.