Acting

Jimmy Godden

Born August 11, 1879 · Maidstone, Kent, England, UK

Died March 5, 1955 · aged 75

No biography available.

Known For

The Student's RomanceThe Student's Romance · 1935
The Student's Romance
★ 6.21935
MovieDramaMusic
Based on the operetta I Lost My Heart in Heidelburg, which in turn owed a lot to that old chestnut The Student Prince. In 1825, impoverished composer Max enrolls at Heidelburg University. Local girl Veronika falls in love with Max, helping him to finance his education and clear his debts. Alas, Veronika is left out in the cold when Max becomes enamored with gorgeous tourist Helene. Little does he know that Helene is the daughter of the Grand Duke, meaning of course that their romance is doomed to disappointment. Leading lady Grete Natzler later changed her screen name to Della Lynd, and under that cognomen co-starred with Laurel & Hardy in Swiss Miss (1938).
The Farmer's WifeThe Farmer's Wife · 1941
The Farmer's Wife
★ 7.01941
MovieDrama
Eden Philpotts' "provincial" comic novel and play The Farmer's Wife was first filmed in the silent era by Alfred Hitchcock. The 1940 talkie version was directed by Leslie Arliss, son of stage star George Arliss. The story remained the same: A middle-aged widower attempts to select a wife from his rural district's eligible females (Basil Sydney). Three unsuccessful dalliances later, the farmer settles for his housekeeper, whom the audience has been rooting for all along. The Farmer's Wife is a prime example of the sort of fare that struck a proper chord with British filmgoers, but whose appeal would be lost to any other nationality.
HappyHappy · 1933
Happy
★ 6.01933
Movie
A young musician invents an anti-theft device for cars, but works as a jazz conductor while waiting for his invention to be successful.
Those Were the DaysThose Were the Days · 1934
Those Were the Days
★ 8.31934
MovieMusicComedy
A farce based on Arthur Wing Pinero's play 'The Magistrate' in which the son (John Mills) of a stern magistrate (Will Hay) visits a music hall against the wishes of his father. In true farcical style, the magistrate too ends up at the music hall, and before long all the characters are trying not to avoid each other... Mainly notable (a) because of its depiction of the music hall as seen by a generation which knew it intimately (b) because of its use of music hall acts of the time and (c) because it gave Will Hay his first film role.
For the Love of MikeFor the Love of Mike · 1932
For the Love of Mike
★ 7.01932
MovieMusicComedy
A useless secretary and his private detective friend try to help an heiress from being swindled by her guardian.
Crime on the HillCrime on the Hill · 1933
Crime on the Hill
★ 6.81933
MovieCrime
In this murder mystery, Vicar Casson looks into the poisoning of a wealthy man. He soon finds that the man they convicted, the fiance of the rich man's niece, was innocent.
His Wife's MotherHis Wife's Mother · 1932
His Wife's Mother
★ 6.01932
MovieComedy
A newlywed has a trying time proving his innocence when his mother-in-law catches him kissing another girl!
A Star Fell from HeavenA Star Fell from Heaven · 1936
A Star Fell from Heaven
★ 10.01936
MovieComedy
In this comedy, a talented singer is hired to dub the voice of a star who has lost his own. During the film's premiere, news that he sang the songs slips out and suddenly he finds that he himself has become a star. Unfortunately he soon encounters unanticipated problems. He is especially concerned about his girl friend who dumped him in favor of the voiceless star.

Filmography

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I Give My HeartI Give My Heart · 1935
I Give My Heart
★ 7.01935
Movie
The Loves of Madame du Barry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The Du Barry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame du Barry, mistress of Louis XV (Owen Nares). Refusing to gloss over du Barry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which du Barry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame du Barry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes.