Miguel Llansó

One night, a strange clone of Hitler comes to Fendika - a grassroots tavern in Addis Ababa...

On a summer break, Mia and her friends try a meditation app that’s somehow related to the operating system of the Tallinn Zoo, changing the body chemistry of its users into something between pollen and cosmic dust. Mia will need to choose between saving her friends or joining them.

95 years old athlete Wami Biratu runs his last marathon in Addis Ababa, while evoking the legendary Olympic champion Abebe Bikila, his best friend and rival.

CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them.

A mild-mannered man journeys across a post-apocalyptic landscape in search of answers regarding a derelict spaceship hovering in the sky.

A young guy goes to the mountains to explore and create his own martial art. By Miguel Llansó

At the beginning of the 20th century, a series of Gnostic spells perpetrated in India affected a Spanish priest, ending his honor and his life and cursing his offspring forever. Harassed by this spell, his great-great grandson, also a priest, is forced to flee from the town to the capital and from there to a cathedral submerged in the depths of the ocean. Black magicians, delinquents, insects, archons and even Satan himself will be some of the sinister characters he will have to face in order to succeed in his evangelizing adventure.

Experimental short.

One day, Tokola's dog Leman disappeared. Tokola is a closed friend of Yohannes Feleke and Miguel Llanso, so that's why the filmmakers reflected on the value of a dog and the great amount of street dogs in Addis Ababa, trying to survive among the people. How are these dogs related to the inhabitants of the city? People love or hate them? Could be established a parallelism between the life of the dogs and the life of the people? Finally this reflection would consider the general perception of Ethiopia from the West and would play experimentally with the western prejudices to display an ironic film with certain doses of black humor. Thus Yohannes Feleke and Miguel Llanso went to the streets of Addis Ababa.