Daniel Butler

Ernest, a lovable loser who works as a summer camp handyman and dreams of becoming a guidance counselor, must find a way to inspire a group of juvenile delinquents while stopping a shady strip mining company from closing the camp as well.

Bumbling bank janitor Ernest P. Worrell is assigned to jury duty, and soon finds himself in trouble when he is covertly switched with a look-a-like crime boss. Ernest must escape from jail to expose the mix-up.

Well-intentioned, eternally bumbling Ernest P. Worrell accidentally releases an evil demon from its sacred tomb. As the demon flexes its power and goes on a ruinous rampage, good-guy Ernest tries to step in to save the town from mass destruction. Trouble is, a 200-year-old curse has scared Ernest stupid, and that means hilarity all around! So, kick back and let the laugh-ridden adventures begin.

This special celebration of Disneyland's 35th anniversary, bursting at the seams with celebrity cameos, focuses on the changes Disneyland has undergone over the years, as the featured stars reminisce about their favorite attractions.

When Santa Claus decides to retire and pass on his magic bag of Christmas surprises to a new Saint Nick, he enlists the aid of a hilarious assortment of characters. A perky teen runaway and hapless taxi driver Ernest P. Worrell must convince a skeptical kiddie-show host to take over the post of Father Christmas.

Ernest P. Worrell becomes a basketball star after an angel bearing an uncanny resemblance to Kareem Abdul-Jabbar gives him a pair of magic sneakers.

This movie looks at the last years (not days, as implied in the title) of famous outlaws, Frank and Jesse James. The film opens in 1877 with the brothers trying to settle down after 15 years of thievery. Frank is shown to be a book-loving and family-oriented man, while brother Jesse is a money-hungry womanizer. The movie follows their lives through Jesse's death at the hands of the "rotten little coward" Bob Ford and Frank's death in 1892.

Evil baddie Dr. Otto Von-Schnick-ick-ick tries to take over the planet by first destroying all of our financial systems, collapsing the world's economy and sending populations across the globe into mass panic! Only one goody-goody can stop him.. or can he? The oblivious Lance Sterling is on the case!

An aging country singer becomes irritated with the success of a popular young country singer. However, she is not yet ready to become yesterday's news.

An English girl comes to America to join her American husband in a Pennsylvania coal town in the late 1950's. She faces the ire of her new mother-in-law, a former Hungarian with different ideas about the life and culture that her son should have.

'Bears Discover Fire' is the strange tale of a lonely man, his aging mother, his curious nephew, and a family of bears that have discovered how to use fire.

Ernest finds his old family album in the attic and discusses his family members from the album to his neighbor, Vern.

Through nine feature films, an Emmy-award-winning TV show, and thousands of television commercials, Ernest P. Worrell became a beloved comedy icon. Originally created as an advertising character, Ernest transcended these humble beginnings to become an unexpected hit—given life through the creativity of an indispensable team of artists, as well as through the unparalleled talent of actor Jim Varney. Today, two decades after Varney’s death, both Ernest and Jim seem to endure largely as pop culture footnotes; or worse, as easy punchlines. But there’s more to Ernest than that, and this documentary film will guide viewers through the entire Ernest epoch to examine the shelf life of a phenomenon. Using archival footage, cast and crew interviews, and never-before-seen material, we will seek to answer the questions: “Who was Ernest, who was Jim Varney, how did they relate, and why do they both mean so much to people?”

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.