John Mack

A sleazy lawyer's female assistant sets out to end his cheating ways.

Three people live together in the maintenance shed at Central Park as an alternative to living on the streets.

A reporter desperate for a story tries to interview a gangster's girlfriend jailed in a small town. He gets himself thrown in the same jail and runs into a female reporter with the same idea, but thinks she is the girlfriend he wants to interview.

Willie, as an assistant window-dresser, is the lowest man on the totem pole at a department store. To add insult-to-injury Willie is also the store's designated 'Fired Man."; when a disgruntled customer demands that somebody-must-be-fired, Willie is summoned and summarily fired, only to be rehired when the now-satisfied customer has departed. Willie inadvertently adopts a four-year-old orphan at a cost of ten-dollars a week, and things go from bad to worse since Willie doesn't make ten-dollars a week. But, with the help of Mary, a beautiful young nurse, Willie manages to turn some corners and improve his lot in life, albeit with some skids along the way.

Bob Adams, ace newsreel cameraman, is told by his boss, "Get the picture---we can't screen alibis." He heads for Samari, a desert hot-bed of tribal unrest in Africa, to do just that, which includes getting footage of El Kadar, bandit and rebel leader. He gets his pictures but only after a romance with the Colonel's daughter Pamela, saving his wimpy, hacked-off brother Don from being a dupe of the gun-runners, and run-ins with spies and throat-cutting tribesman. For a finale, he saves the British Army.

Fay Wray plays Jean Hastings, the wealthy and spoiled scion of a factory-owning family led by her irrepressible grandmother. Sparks fly when Jean meets Jim Devlin, the labor leader who’s spearheading a tense worker’s strike against the factory. After circumstances force Jean and Jim to spend a night together in his cabin, she begins questioning her family’s ruthless tactics. This hard-to-see Columbia film by British director Roy William Neill not only features Wray as a brunette but also includes an explosive depiction of labor strife. (Block Cinema)

As California gubernatorial candidate Burton is about to cast his vote a truck crashes into the polling booth, critically injuring him and his opponent. A flashback traces his career from unemployed veteran to dockworker to lawyer. A side thread traces his tortured relationship with his wife.

A young man goes up against a crooked town boss.