Lim Hee-jae

A historical drama about Prince Yeon-san of Joseon as a prince trying to restore the status of his mother, the deposed and executed Queen Yun.

Captain Kim is grievously wounded in the first days of the war. When the northern troops continue their advance, his wife and small daughters flee south to Taegu, dragging him along in a two-wheel handcart. His wife struggles to keep herself and their surviving daughter alive. Working as a market trader, she meets a kind young man -- who happens to be tall, dark and handsome.

A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.

Six-year-old Ok Hee is glad when Mr. Han comes to board at her house full of women. She plays messenger for Mr. Han and her widowed mother as they quietly fall in love, but is her support enough to guard their love?

The story takes place on a mountain slope where defectors from North Korea live. These families sell cheap things such as socks and pens to make a living and there is a serious gap between the parents and their children. A widower Kim Deok-sam nags his son Geo-buk to join the American army. Ok-Mae who lives next door teaches her daughter Bok-soon traditional Korean folksongs and forces her to become a gisaeng.

The rivalry between two families prevents budding love from being realized in the younger generation.

Queen Min makes regent Prince Daewon withdraw from ruling with the help of the Min Seung-ho Party.

A young sailor arrives in Busan Harbour; an outrageous-looking, woolly bear of a man appears in downtown Busan with a shotgun over one shoulder, a heavy knapsack thrown over the other; a tough-looking young woman joins her friend in robbing a naïve fat man in a suit. The strands of character and story will slowly converge, well after the audience, tuned to the coincidences and mistaken identities of melodrama, has recognised that these three have a shared history and are fated to meet and reconcile.

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.

Prince Yeonsan-gun turns into a tyrant out of grief for his mother's death. He orders beheadings of all the officials who displease him or who advised the previous king to depose the queen. He becomes crueler by the day. But in 10th year of his reign, he is kicked out of the throne and dies a tragic death.

In a hospital waiting room, a group of men arrive and meet one another. Choe, is the upbeat fellow who always thinks of the nation and its people. Cheon was wounded in the war and has fallen into despair. Then there's the dentist, run ragged by his hectic life. They commiserate over each man's lot in life and exchange stories about their love affairs.

Park Nam-ho works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui, in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-ho is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-soo, she goes to live in Seoul. When Nam-woo comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter.

When two wives realize that their wealthy and otherwise upstanding husbands have mistresses, they invite the 'other women' to stay in their houses for awhile. Realizing that they are breaking up happy families, the girls eventually agree to give up the married men.

A thousand-year-old snake that has transformed itself into a human, Madame White Snake (Choe Eun-hui), falls in love with a young pharmacist named Heo-Seon. Although they encounter difficulties, they are wed, and their love for each other does not change. However, Beophaeseonsa (a Zen priest) and Gwaneumbosal (the Buddhist goddess of mercy) order Madame White Snake, who had transformed into human without being granted permission to do so, to return back to the world of the gods before July 7. Grieving, she prepares to say goodbye to her beloved husband. But before she can return to the world of the gods in time, she falls into a trap set by Dae-yun (Choe Sam), who is attracted to her. Because of the trap, she is not able to keep the promised deadline, and ends up risking her life to save her husband.

A young bride moves into her husband's family and tries to modernize their lifestyle. Her plans, though, often get discouraged by her mother-in-law, a conservative lady who stresses traditional values. But the bride's father-in-law who understands the charms of her daughter-in-law's modern lifestyle, helps her to get what she wants. Eventually, they become one happy family living a modern lifestyle.