Agafya Bolotova

Villagers carry out a brutal vigilante trial against Hanna—they believe she is a witch and blame her for all their misfortunes. A young priest saves the woman from being killed and takes her into his home. With Hanna’s arrival, sinister events begin to unfold around the church, and the “witch” is not the only apparition to haunt the village in those days.

A film story about everyday life of people in the countryside, their work in the collective farm and their attitude to their work. Unlike those who fulfil their duties according to the commands of the party leadership, milkmaid Praskovya Likholetova belongs to those people who do not pass by mismanagement and injustice. She has always been a truth-seeker, principled, honest, convinced of her rightness, and this has often led to conflicts. Having worked almost 40 years on the farm, Praskovya was forced to retire. But before leaving, she said that now she has a lot of time, and she will take care of their affairs...

1986, Chornobyl disaster. Couples, friends, and a risk-taking journalist are woven into the larger framework of the disaster. Panic follows.

Documentary trilogy about the thorny path of the famous Ukrainian poet, translator, political prisoner Vasyl Stus. Filmed in 1989-1992, it describes the life of the poet, the story of the destruction of the dissident by the Soviet authorities, highlights his influence on Ukrainian society during life and after his death, records the testimony of witnesses, films the liquidated Kuchino camp, in which Stus was imprisoned, the reburial of Stus, Lytvyn and Tykhy in 1989. Consists of three parts: «Come back to me, my memory» (Верни до мене, пам’яте моя), «In the white cold the sun of Ukraine» (У білій стужі сонце України), «Crucified on a black cross» (Розіп’ятий на чорному хресті).

The chain of adventures of a young ten-year-old Baku boy Alik who ran away from home led him to Odesa. Here, the boy made friends with his peers and many other people, and learned his first life lessons. He returned home accompanied by his father and mother, for whom their son's escape became a test of the family's strength.

The script about loneliness, conformity and the impossibility of creative realization scared the editorial censorship at the studio, and then at Derzhkino. A lot of claims were made against him. The demands for amendments and endless additions and rewrites by the authors lasted for about a year. The original version of the title "Na pokhony!" ("To bow down!") was replaced by "To Dream and to Live". According to Pylyp Ilyenko, the director's eldest son, this name appeared "as a result of censor pressure." Censorship stopped the tape 40 times: at the stage of the literary script, director's, during film tests (the actors were not approved), filming, etc. The film catastrophically fell apart into fragments, into masterfully filmed, but unrelated scenes. The director called the finished version a "dead film".

A story of two delinquent boys at a boarding school, struggling to cope with fathers who abandoned them, and retreating into fantasy.