Masayoshi Yamazaki

Three moments in Takaki's life: his relationship with Akari and their forced separation; his friendship with Kanae, who is secretly in love with him; the demands and disappointments of adulthood, an unhappy life in a cold city.

Doraemon and his friends travel to ancient Japan where they meet Kukuru. When Kukuru tells them that his tribe has been enslaved by Gigazombie, Doraemon decides to help him.

Spring 1991. Takaki and Akari meet in elementary school and continue to exchange letters even after she moves away. They make a final promise to each other to meet again. It is now 2008. They live their respective lives, paths never crossing. Enduring memories and a premonition of that promised day. Even now, their words from that day drift quietly, transcending time and distance. An ephemeral story of a promised reunion with someone precious.

Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.

Typically thieves enter a house, steal things and get out. This time an unsuspecting thief enters a home to steal as much as he can and instead is faced with an occupant inside the house. There is a woman within who is going to commit a murder. She is also about to set the place ablaze. The thief stops her and in the process the criminal becomes the one stopping a crime. The situation is connected to a case from some twenty years go.

Toru grew up in alpine countryside around Mount Tate. As a child, he resented the yearly trek up the mountain with his father to prepare their mountain hut for the summer season of climbers. When Toru grows up, he leaves his hometown and enters the working world as a stock trader. One day, Toru receives word that his father has passed away. He returns to Mount Tate once again, and becomes conscious of a new calling. But, does Toru have what it takes to follow in his father’s footsteps?

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

A timid insurance agent investigates a possible insurance fraud case that involves a death. As the facts are slowly revealed, he becomes progressively more frightened.

Three stories from Shiratsuna Island: "Mikan no hana" Shiratsuna Island is the only remaining island city in Japan, but it is being merged with a city on the opposite shore. Housewife Misato Tomita lives on the island. "Umi no hoshi" Yōhei Hamasaki, who was born on Shiratsuna Island, lives in an apartment in the outskirts of Tokyo with his wife, Tomomi, and their son, Taichi. "Kumo no ito" Popular artist Hirotaka Kurosaki, who is a native of Shiratsuna Island, goes back to his hometown after seven years.

A Japanese remake of the South Korean film of the same name.

A romance that takes place one summer in the countryside between an out-of-job musician, Hanabi, and a girl, Hibana.

Yukio Kunikida and Yuma Yamagishi are high school students and they are dating with each other. On an ordinary day, Yuma tells Yukio that "I'm going to die in a week." She knows that her illness has progressed and has accepted the fact that her days are numbered. She wants to live the rest of her days being true to herself. Yukio finds it difficult to accept that Yuma has just a short time left to live, but he occupies himself fulfilling her wishes.

Masayoshi Yamazaki, a Japanese folk singer, walks Mississippi, trailing Robert Johnson's footsteps. Getting a Mojo hand, playing the blues with real blues men, singing in King Biscuit Time, at last he meets Robert Johnson... at his grave.

Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

Tomoya Ishida, a rookie editor, meets Ayumu Mitsuya, a warm culinary researcher. Their encounters, enriched by simple yet irresistible dishes, leave a lasting impression.

Nakagawa Ayaka, Kihara Riko and Minamoto Yoshie work for a trading company’s general affairs department. They are all struggling with life in some way. Ayaka is terrible at expressing herself. Riko is inflexible while Yoshie has a defiant attitude. One day, a fairy (Yamazaki Kei) of the “right kind of ugly” appears before the three of them who receive a jolt of sobering reality about themselves. She tells them that their lives are full of mistakes. “Women who acknowledge that they are ugly, can stand at the starting line of happiness for the first time”. They follow her teachings in the hopes of gaining happiness and start rigorous training to become just the “right kind of ugly”