Amar Mullick

A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.

A middle-aged bank clerk happens on a stone with alchemical properties, allowing him to turn steel into gold.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.

Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.

Dena Paona is a dramatic exploration of societal pressures and personal redemption. The film follows Sorashi, a strong-willed temple priestess, as she confronts the challenges of a troubled marriage and a disapproving community. Her journey towards self-discovery and reconciliation with her husband forms the heart of this compelling story.

A Middle-Aged Woman named Sheba comes to an Obscure town named Nijhumgarh to be the Governess of a Renowned Household called "Ray Kuthi". But little did she know about the Bungalow and the dwellers. She is startled to know that two murders took place there nearly seven years earlier. The Mist of the mysterious happenings get only thicker. Now Sheba could only pray for it to Go Away as incidents transcend the rules of our physical world.

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.