Rachid Fares

A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

The story of a family in the instability and violence that shook Algeria during the riots of October 1988 in the midst of the rise of fundamentalism and intolerance, disappointments and prohibitions, corruption, nepotism and abuse of power. On October 5, 1988, young Algerians occupied the streets... Afterwards, Algeria would plunge into the chaos of the Black Decade which would last more than ten years and leave more than 150,000 dead.

In the civil war that tore apart Algeria in the 1990s, police chief Brahim Llob hunts down Islamist extremists on a daily basis. Having become the favorite target for them, it is with fear that he goes every morning to his office at the Central Commissariat of Algiers. Annoyed by the power in place, preparing to publish a whistle-blower book, Morituri, Llob is obliged to take early retirement.

A young Arab boy, a teenager "Yaouled", who lives on the streets and scrapes by doing odd jobs: shoe shining, street vending, etc. The film tells the story of a group of yaouleds from the Bab-el-Oued neighborhood, caught in the crossfire between the French settlers on one side and the Algerians on the other during the events of July 1962 in Algeria.

“Algerian kid wants to go looking for the father he doesn’t know in Marseilles. Meandering between fantasy and reality, Belouad creates a convincing picture of the terrifying situation in Bejaia and the bleak outlook in Marseilles.” - MUBI

Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.

Mehdi is an algérien writer that fundamentalist violence has transformed into a potential target. How to live with fear when everything is fear. But also life. Facing Mehdi is Ania, an algerian-born Frenchwoman, the woman next door. She often appears at her window on the court. A disturbing vis-à-vis. Ania will unceasingly try to convert this man to the culture of life, to burning passion. By bringing him tea regularly, risking to often find the door closed...