Pauline Winter

The Ipcress File

Sly and dry intelligence agent Harry Palmer is tasked with investigating British Intelligence security, and is soon enmeshed in a world of double-dealing, kidnap and murder when he finds a traitor operating at the heart of the secret service.

Death Goes to School

Detective Inspector Campbell (Gordon Jackson) looks into the murder of a teacher at a girls school where there are a number of suspects, including her colleagues and the married man she had been seeing.

The Mind Benders

A British scientist is discovered to have been passing information to the Communists, then kills himself. Another scientist decides that they might have brainwashed him by a sensory deprivation technique, but he doesn’t know if someone really can be convinced to act against their strongest feelings. So he agrees to be the subject in an experiment in which others will try to make him stop loving his wife.

I'm All Right Jack

Naive Stanley Windrush looks for a career in a family business. Much to his dismay, he finds work at a munitions factory where he has to start from the bottom, while both the management and the labor union use him as a tool in their fight for power.

Get Cracking

Get Cracking is a 1943 British comedy war film, directed by Marcel Varnel and starring Dinah Sheridan, Ronald Shiner and George Formby. It was produced by Marcel Varnel, Ben Henry and Columbia (British) Productions. This comedy explores the wayward rivalry between mechanic and Home Guard Lance Corporal George Singleton (George Formby) and an adversary also in the Home Guard (Ronald Shiner). When the rival Home Guard units of Major Wallop and Minor Wallop are sent on battle manoeuvres, George Singleton (Formby) launches his own unique style of commando raid against neighbouring Major Wallop to steal a Vickers machine gun. The raid fails and Singleton loses his Lance Corporal's stripe, so he and a little evacuee girl named Irene (Vera Frances) decide to fall back on 'Plan B' - to build their very own tank.

High Treason

Men from Scotland Yard and military intelligence build a dossier on a sabotage ring.

As Long as They're Happy

The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine, are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist, and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household – including the maid – fall for the singer's charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting not the singer but Bentley's wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.

Drama '63: A Well Dressed Man

Philip quickly comes to regret volunteering to be a witness in a murder trial.

House of Darkness

In this psychological thriller, an avaricious man covets his stepbrother's home. The greedy fellow knows that his stepbrother has a heart condition and so sets off a fatal attack by smashing a beloved violin. However, his actions do not come without a terrible price.

Trouble in Store

Norman is working in the stock room of a large London department store, but he has ambition (doesn't he always !!), he wants to be a window dresser making up the public displays. Whilst trying to fulfill his ambition, he falls in love (doesn't he always !!), with one of the shopgirls. Together they discover a plot to rob the store and, somehow, manage to foil the robbers.

Five to One

Alan Roper tells Bookie Larry Hart that he is planning to steal £60,000 and Hart offers to launder the money for him. What Hart doesn't know is that it is actually his money Roper intends to steal.

The End of the Road

Having been given enforced retirement due to his age, Mick-Mack creates strain upon his extended family.

Theatre 625

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Sergeant Cork

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

The Scales of Justice

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

The Old Curiosity Shop

The Old Curiosity Shop is a 1979 BBC miniseries based on the novel by Charles Dickens. It was directed by Julian Amyes, and adapted by William Trevor. A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.