Michael Kloft

Adolf Hitler spent the last ten days of his life in a bunker underneath the Chancellery of the Reich. Unwilling to face the consequences of defeat, the dictator ended his own life on April 30, 1945 in this fortified underground complex. Featuring exclusive interviews with the last survivor’s of Hitler’s inner circle and extensive archival footage, Death in the Bunker is an illuminating look at the Führer’s final decisions in preparation for his suicide.

Adolf Hitler spent over 1,000 days on the Obersalzberg, his mountain holiday refuge near Berchtesgaden. It was there he made his decisions about war and destruction. The producers, through special permits, explore the abandoned concrete tunnels in search of the relics of history of Hitler’s mountain and to tell almost forgotten tales of the people who lived there, high up in the shadow of power.

A look at the parallel lives of Charlie Chaplin and Adolf Hitler and how they crossed with the creation of the film “The Great Dictator,” released in 1940.

One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people. The ensuing trial pitted U.S. chief prosecutor and Supreme Court judge Robert Jackson against Hermann Göring, the former head of the Nazi air force, whom Adolf Hitler had once named to be his successor. Jackson hoped that the trial would make a statement that crimes against humanity would never again go unpunished. Proving the guilt of the defendants, however, was more difficult than Jackson anticipated. This American Experience production draws upon rare archival material and eyewitness accounts to recreate the dramatic tribunal that defines trial procedure for state criminals to this day.

A history of Nazi television programming and technology, from 1935 to 1944.

D-Day marks the starting point for the liberation of Western Europe from the grip of the Nazi yoke. On June 6th, 1944, Allied soldiers attack German positions at no less than five sectors of the beach in Normandy. The assault takes place from the sea and is considered the largest amphibious landing operation in history. This event now sees its 80th anniversary. But so close, so authentic, this battle has never been shown before. American and British cameramen are at the scene in landing boats, under fire at the beaches, and during the rescue of wounded soldiers. Their original footage, shot in black-and-white, was extensively restored and colourized for this documentary. The historically unique footage appears in motion picture quality. The war gets colour. And thereby a different impact. We look directly in the faces of those, Americans, Canadians, Britons, and Germans, who are often not older than 20. In “24h D-Day”, they tell about their D-Day, the day they never can forget.

In 1991, professional diver John Chatterton discovered a sunken German U-boat from World War II, lying undetected only 60 miles off the New Jersey shore, its unexploded torpedoes and the bodies of its crew still aboard. This two-hour special follows Chatterton and his dive partners in their dangerous quest to identify the missing U-boat, a pursuit that takes six years and costs three lives. The U-boat's history involves unusual coincidences and a startling twist of fate.

Countless people around the world know the pictures from Leni Riefenstahl's films, even if they have not seen them in their entirety. The work of the German director has burned itself into the collective memory. Even decades after the end of the Nazi era, she showed no remorse and presented herself as an apolitical, naive follower of the Nazi criminal regime. Her artistic service for the cinema was always recognized. But book author Nina Gladitz shows after decades of research that Hitler's favorite filmmaker was not only a follower, but also a perpetrator during the Third Reich, who instrumentalized other filmmakers such as the brilliant cinematographer Willy Zielke in order to gain fame for herself.