J.D. Fernández Molero

On the northern coast of Ecuador, on Tolita Island, Washo, a fifty-year-old unemployed fisherman tempted by necessity accepts the invitation of his friend who brings him to raid a tomb, insisting he knows the location of a new Moche treasure.

Nino is a spoiled child who, immersed by a strong fever, is absorbed by a mysterious painting. Even though his mother had warned him, the trick that made him fall prey of the painting is unleashed. And so, Nino does nothing but get lost in a maze of images trying to return home.

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

Iván is found unconscious with an injured eye in the jungle. As Meshia reunites him and his family, she is drawn into a foreboding journey. A disturbing look at Peru’s cultural contradictions shot on a coarse mix of analogue and digital formats.

A desert. Three lost people. One of them an invalid. After walking all day, under the sun and aimlessly, what's next?

This document is a consecutive and linear collection of situations and characters (Mario Poggi, el Hon. Antonio Córdova Quezada) that are appearing without a greater objective than the search itself.

The micro-world of an isolated Amazonian native community is altered by the visit of an outsider with a camera and mysterious intentions.

Luchín, who has autism, and his sister Andrea, who also has mental health issues, are left at home in the care of their uncle Jimmy. Luchín witnesses certain events, but his only means of communication with the outside world is the camera he always carries with him.