J.D. Fernández Molero

Nino is a spoiled child who, immersed by a strong fever, is absorbed by a mysterious painting. Even though his mother had warned him, the trick that made him fall prey of the painting is unleashed. And so, Nino does nothing but get lost in a maze of images trying to return home.

A desert. Three lost people. One of them an invalid. After walking all day, under the sun and aimlessly, what's next?

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

On the northern coast of Ecuador, on Tolita Island, Washo, a fifty-year-old unemployed fisherman tempted by necessity accepts the invitation of his friend who brings him to raid a tomb, insisting he knows the location of a new Moche treasure.

Verony, a young dancer, accompanies her partner, Marte, a photographer, through his gender transition. Together, they embark on a road trip to the northern coast of Peru, where they spend New Year's Eve with Marte's family.

Luchín, who has autism, and his sister Andrea, who also has mental health issues, are left at home in the care of their uncle Jimmy. Luchín witnesses certain events, but his only means of communication with the outside world is the camera he always carries with him.

Juan Daniel's memory doesn't belong to him anymore. After an amnesiac accident at the beginning of 2009, he started watching home-videos and having reminiscent dreams in the need of reconstructing his memory and identity. Months later, he found himself with too many celluloid, analog and digital memories, three generations' eyes captured by different formats. This is the neurological experience Juan Daniel suffered.